Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Your eye is pulled first to the tall amber tower just left of center, the warmest and brightest shape on the canvas. From there it travels right along the row of buildings, moving through the grays and browns of the skyline toward the cooler blue towers on the far side. The straight line of the waterfront then carries the gaze downward into the reflection, where streaks of orange, red, and blue drop toward the bottom edge. Because the buildings sit high and the reflection hangs below them, the eye keeps moving up and down between the city and the water. That vertical travel is what gives a wide, calm skyline its quiet sense of motion.
This cityscape gives you an unusually easy palette to build from, since it holds both warm and cool tones in one frame. Start with the walls, where a soft greige, warm gray, or muted blue keeps the sky tones going and lets the amber buildings glow. Choose walnut or dark oak furniture to echo the deep browns in the skyline, then bring in brushed brass or bronze to match the warm lights. For textiles, a rust or ochre throw pulls from the amber tower, while a slate blue cushion answers the cool right side. A setup like this suits a living room sofa wall, a home office, or the wall above a dining sideboard, wherever a calm focal point helps.
These are painted by hand one at a time, so a run will show small differences from piece to piece. The skyline keeps its silhouette on every canvas, the building heights stay in the same order, and the amber and blue hold the same contrast. The impasto marks across the facades vary, inside a normal and acceptable range. If a project needs the pieces matched more closely, we paint the run against one reference canvas.
The skyline has to be placed before the texture goes over it, so this design runs in two stages. Plan on about ten business days for one to five pieces and about fifteen for a batch of twenty. Wide formats read best. Under twenty four inches the buildings crowd together, so we will show you a proof at that size first.
Most homes have at least one wall that is too wide for a single small frame, such as the space above a sofa, a bed, or a long sideboard. A wide, panoramic canvas is the natural answer, and this cityscape is built for exactly that job. Its horizontal skyline stretches the full width of the frame, so it fills a long wall in one clean gesture rather than leaving you to arrange a scattered gallery of small pieces. The low horizon and the reflection below it also add a sense of depth, which makes a flat wall feel like it opens onto a view. For a broad, empty wall that has been hard to fill, a single wide skyline often does more than a cluster ever could.
The composition is arranged around a low horizon that sits near the middle of the canvas. The buildings rise in a loose row across that line, with the tall amber tower anchoring the left of center and cooler blue towers closing the right side. Above them the sky shifts from warm cream on the left to soft blue on the right, so the whole scene reads as warm light meeting cool. Below the waterfront, the city repeats in a mirrored reflection, painted in vertical streaks of orange, red, and blue that dissolve toward the bottom edge. That balance of a solid skyline over a broken reflection is what gives the piece its calm, settled feeling.
This skyline is painted by hand in thick oil, not printed, which you can read in the raised edges of the buildings. The canvas is primed with gesso first for grip and to guard against cracking, then the soft sky and water are laid in as smoother base fields and left to dry. Over that dry ground, the buildings are built up with a palette knife, so the amber tower and the white highlights stand off the surface as real ridges. Because those ridges are physical, the city catches light differently through the day, looking soft and hazy in flat morning light, then sharper when an evening lamp rakes across it from the side. The reflection stays lower and smoother, which lets the raised skyline hold the attention it is meant to.
Because the palette carries warm and cool at once, this abstract cityscape wall art settles easily into a range of rooms, from a living room to a home office. It warms a cool, modern space while cooling a warm one, so it rarely fights an existing scheme. In a home office it gives the eye a calm, distant view to rest on between tasks, which many people find easier than a busy abstract. It suits contemporary and industrial styles especially well, next to leather, metal, and exposed brick, though it also works in a transitional dining room. Keep the wall behind it fairly plain so the amber tower stays the focal point.
Scale matters more with a panoramic piece than with a square one. Hung too small, a wide skyline looks stranded on a big wall, so the reflection and the row of towers lose their effect. The reliable guide for a panoramic city canvas is to choose a width near two thirds of the furniture below, then center it about 57 to 60 inches from the floor, measured to its middle. On a long, unbroken wall you can go wider still, since this format is designed to run horizontally. Every size is painted to order, so the proportions can be matched to your exact measurements.
Wondering what to hang beside this amber and blue cityscape? Two paintings round it out nicely. The orange, yellow, and green expressionist palette-knife canvas (XA03) echoes the same knife-laid strokes, and its amber warmth ties straight back to the city lights. For a softer counterweight, the blush pink and mint lady profile minimalist canvas (MA06) brings a quiet, pastel calm that keeps the busy cityscape in the spotlight.
For placement above a media unit or sofa, choose a width about two-thirds of the furniture's width, and hang it with the center around 57 to 60 inches from the floor. Every size is painted to order, and you approve photos of your finished piece before it ships.
It shows an abstract city skyline reflected in water, painted in a loose palette-knife style rather than as any named city. A tall amber tower anchors the left of center, with cooler gray and blue buildings spreading to the right, and the whole skyline repeats in a mirrored reflection below the waterfront.
Soft greige, warm gray, and muted blue all work well, because they carry the sky tones and let the amber buildings glow. Avoid a strong, bright wall, which competes with the skyline and flattens the reflection. Test a swatch in your own light, since gray shifts a good deal between daylight and lamplight.
Yes. Each canvas is repainted by hand to order, so the studio can warm the whole city toward amber, cool it toward blue and gray, or dial the brightness up or down. Describe the mood you want, and the skyline is mixed to match rather than color-filtered from the photo.
Yes, it is one of its best placements. The distant skyline gives your eyes a calm, faraway point to rest on between screens, and the amber tower makes a steady focal spot without the pull of a busy pattern. Keep the wall behind it plain so the city stays the center of attention.
Aim for a width around two thirds of the sofa below it, and go wider on a long, open wall, since this panoramic format is built to stretch. Center the canvas about 57 to 60 inches from the floor. Because it is painted to order in any size, the proportions can be matched to the wall exactly.
Dust it now and then with a dry, soft brush, and keep damp cloths off the raised building edges. Hang it out of long hours of direct sun, which can age any oil painting over time.
Very closely, though not stroke for stroke. Each skyline is knifed by hand, so the exact shape of the amber tower or a reflected streak varies a little from one canvas to the next. You approve photos of your own finished painting before it ships.
Tell us the sizes and how many pieces and we reply within twelve hours with a price per piece, your volume rate and the full trade price list. If the amber and blue need to sit against a particular lobby palette, send a reference image with the enquiry.