Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Stand close to this canvas, pick one leaf, then follow its center rib. That rib is a single pulled stroke of paint that stands off the surface, with small flecks of warm orange left along its length. Those flecks are easy to miss from across the room, yet they are doing quiet work, because pure green on green can turn flat. A touch of the opposite warm tone keeps each leaf reading as alive. The same trick repeats along the palm fronds at the left edge, where peach notes sit between the green blades.
The greens in this painting run from near-black forest tones to bright chartreuse, so the wall behind it should stay out of that range. Warm white and cream are the safest choices, since they extend the buttery light that already glows behind the leaves. A pale clay or soft terracotta wall works too, because it picks up the orange flecks along the ribs. What to avoid is a saturated green wall, which would swallow the leaf edges. This guidance holds in a living room, in a home office where a tropical leaf canvas gives tired eyes a green resting point, and in a bathroom with decent ventilation.
This monstera is painted on stretched linen rather than printed on a thin canvas sheet. Linen holds paint the way a good wall holds plaster, which is why oil paintings on it routinely outlast the furniture beneath them. The thick rib strokes that give these leaves their relief cure into a tough, stable surface. Treat it to normal indoor conditions and the greens will still read fresh when the sofa below has been replaced twice. That durability changes the math on wall art, since one painted piece can serve a home for decades.
The split leaves that fill this canvas belong to the monstera, a climbing plant native to the rainforests of Central America. Its holes are not damage. They are thought to help light and wind pass through to the leaves below, which is why gardeners read the plant as a sign of easy, generous growth. In several traditions the monstera has also long been associated with longevity and a welcoming home. Painted at this scale, with leaves overlapping from edge to edge, the plant becomes less a botanical study than a wall of steady green, which many rooms are missing.
A living monstera is a commitment, since it wants bright indirect light, regular watering, and room to climb. This painted one asks for none of that while delivering the same visual payoff, a wall of layered green with light glowing through the leaf holes. It will not yellow in a dark corner or outgrow its pot. For rooms where real tropical plants struggle, a monstera on canvas is the practical route to the look. The trade runs the other way too, because no live plant holds this exact arrangement of light and shadow in place.
Count the greens here and you may run out of names. The darkest leaves sit at the corners in a green close to black, while the central monstera glows in chartreuse and yellow-green, as if backlit by afternoon sun. Between those poles the palette moves through emerald, olive, and the cool blue-green of the shaded palm fronds. The background is a pale butter cream rather than white, which is what makes the whole canvas read warm. Small orange flecks along the ribs give the eye a rest from green without breaking the tropical mood.
The canvas is primed first with gesso, a chalky ground that anchors the paint while guarding against cracks. The pale cream background and the darkest leaf masses go on next as base fields, then the piece rests until they are fully dry. The lighter leaves are built over that cured ground, with each leaf finger pulled as one loaded stroke so its ridge stays raised. The orange rib flecks come near the end, sitting on top of the green. Between sessions the paint needs days rather than hours, and the finished painting cures completely before packing.
Leafy subjects are not a passing look. In 1stDibs' annual survey of interior designers, floral and botanical motifs ranked as the most favored vintage pattern for 2026, which places a monstera canvas near the center of current taste. What lets this piece outlast the cycle is restraint. It commits to one plant family and one green-on-cream palette instead of a busy jungle print, so it reads as a color decision rather than a theme. As green botanical wall art for a living room or office, it will still make sense when the trend pages move on.
Wondering what to hang near a wall of green leaves? Flowers are the natural answer, since they supply the color the monstera holds back. The bright mixed flower bouquet canvas (CA45) plays the bold counterweight, with red, yellow, and blue blooms that make these greens look deeper. The purple and red wildflower meadow canvas (CA44) is the gentler match, because its green base carries the same family while adding soft bloom color.
Above a console or sofa, keep the width near two-thirds of the furniture below, with the center of the canvas around 57 to 60 inches from the floor. On a narrow wall, this vertical design can run tall. Your piece is painted to order, and you approve photos of the finished monstera before it ships.
The large split leaves with oval holes are monstera, sometimes called the Swiss cheese plant. Behind them sit a fan palm at the upper left and feathery palm fronds along the side. Everything rests against a pale butter-cream background that reads like sunlight.
They can. The palette can deepen toward emerald throughout, or brighten toward sage with a whiter background. Because the canvas is painted to order, the adjustment is real paint mixed for you, never a digital recolor. To us, true customization means a painting that genuinely fits the room.
Warm white and cream extend the pale glow already inside the painting, so they are the first choices. A soft clay or pale terracotta wall also works, picking up the orange flecks on the leaf ribs. Avoid a saturated green wall, which would swallow the leaf edges.
In a bathroom with decent ventilation, yes, since a monstera leaf painting belongs naturally to humid, leafy places. Keep it out of direct shower spray and give the room airflow. Under those conditions the painted surface holds up well.
On the living plant those splits are called fenestrations, and they are thought to help light and wind pass through to leaves below. In the painting they do similar work, opening small windows of cream light inside the darkest greens. Cover one with your thumb and that corner of the canvas goes flat.
A dry, soft brush is all the surface ever needs, drawn lightly along the leaf ridges. Never use a damp cloth on the raised strokes. Strong direct sun over the years can dull any oil surface, so favor a spot with indirect light.
Yes, within the natural range of handwork. Individual leaf strokes will sit a little differently on your canvas, because each one is pulled by hand. Before anything ships, you review photos of your actual painting and approve it.
On a narrow wall, let it run tall, since the vertical format is doing the lifting. Above a console or sofa, keep the width near two-thirds of the furniture below. Either way, center it around 57 to 60 inches from the floor.