Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
From across the room this painting reads as one burst of burnt orange, red, and black on a pale ground. Step closer and the stallion assembles itself. The gray blaze of the nose comes forward first, then the dark eye, then the mane, which is painted as long ribbons of orange and black sweeping off the head. The background stays deliberately rough, all scratches and open cream, so the horse seems to be arriving out of the paint rather than posing in it.
A subject this confident needs a simple stage. Hang it on a white or pale gray wall in an entryway, a study, or above a desk, where its forward lean reads as momentum. Dark wood, black metal, and leather sit naturally beneath it, which is why this canvas suits offices so well. Keep neighboring decor minimal. One strong horse on a calm wall says more than a crowded arrangement ever will.
Horses have carried the same associations for centuries, freedom, power, and forward motion. A painting does not grant those qualities, but it does put them where you see them at the start of every day. This stallion looks back over its shoulder mid-stride, which reads as confidence without aggression. In a workspace or a hallway you pass each morning, that glance becomes a small daily cue. It is the reason horse paintings remain among the most given and most kept artworks.
The stallion in this canvas joins one of the longest subject lines in art. Horses appear in the earliest cave paintings, carried emperors through Renaissance portraiture, and became a fixation of painters such as Stubbs and Delacroix, who saw in them the meeting point of beauty and power. The animal has long been associated with freedom, nobility, and untamed spirit. This painting takes the tradition into expressive territory, keeping the anatomy loose so the associations, not the harness, lead.
The construction starts with a primed canvas whose pale ground is left deliberately visible, complete with scratches and dry-brushed marks that become the painting's atmosphere. The head is then rendered in burnt orange and red, laid on in long knife pulls that follow the direction of muscle and mane, each stroke placed over dried earlier passes so the ribbons keep their edges. Black does the structural work around the jaw, the ears, and the eye, while a single patch of cool gray marks the blaze down the nose. That contrast between a dense, layered subject and an open ground is what gives the canvas its energy.
Burnt orange sits at the warm end of the spectrum, associated with vitality and boldness, and here it covers most of the animal. Red deepens the shadows rather than shouting on its own. The pale ground does the quiet work, giving the warm mass somewhere to expand. As a wall presence the painting behaves like a fire in a fireplace, one strong warm source in an otherwise neutral field.
This is a statement piece, so give it a wall with authority. Above an office desk it reads as drive. In an entryway it sets an energetic tone before a word is spoken. In a living room it pairs best with restrained furnishings, dark woods, and one echoing accent such as a rust cushion. Bedrooms are the one placement to weigh carefully, since the painting leans energetic rather than restful.
Maximalist art is not about crowding a wall. It is about letting one piece carry the drama a minimal room withholds. This stallion was painted for that role. The composition fills the frame edge to edge, the strokes stay visible at ten paces, and the gold float frame adds a formal note that plays against the rough paint. One canvas, hung alone, does the work of a gallery wall.
Building a bold wall around this burnt orange and red stallion head? The rust and cream wabi-sabi canvas (WA02) carries the same rust warmth, so the two look like family. To calm things down beside it, the cream and charcoal plasterwork (TA08) rests in soft neutrals, keeping the stallion as the star.
For placement above a sideboard or sofa, choose a width about two-thirds of the furniture's width, and hang it with the center around 57 to 60 inches from the floor. Every size is painted to order, and you approve photos of your finished piece before it ships.
Horses have long been associated with freedom, power, and forward momentum, with a still horse reading as strength and a moving one as energy. This stallion glances back mid-motion, which most viewers read as confident rather than fierce.
Yes. The palette can cool toward black and gray for a more formal study, or deepen toward rust and brown for a warmer room. Each canvas is painted to order, so tell us the direction you want.
It is one of its strongest placements. The subject reads as drive without being literal, and the composition holds attention at a distance, which suits rooms where art is seen from across a desk.
White, pale gray, and greige give the warm mass room to expand. Avoid strong warm walls, which flatten the contrast that makes the horse stand forward.
Send us the sizes and quantity and we come back within twelve hours with a price per piece, your volume rate and the full trade price list. This design has real presence at large sizes, so tell us the wall and we will say which format suits it.
Around two thirds the width of the furniture below. The subject stays legible at smaller sizes, though the mane's sweep rewards going larger.
Dust with a dry, soft brush. Avoid damp cloths, and keep the canvas out of hard direct sunlight.
Very closely. Knife work in the mane varies slightly piece to piece, because each canvas is painted by hand. You approve photos of your own painting before it ships.