Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Every petal on this canvas is a thick dab of paint that stands off the surface, so the painting behaves differently as the room's light moves. In bright daylight the magenta bougainvillea and the orange potted blooms read at full strength against the cream stone steps. Toward evening, each raised stroke begins to cast its own small shadow, which deepens the reds and makes the lane look later in the day. The painted lantern above the path seems warmer once the room dims around it. You are not hanging one fixed image but a scene that shifts from morning to night.
Picture it on the wall that is seen first from the door. You set down your keys, then your eye lands on a lane full of flowers with sunlight on the steps, so the day ends on a warmer note than it started. Guests tend to pause here too, because a picture with a path in it invites people to look down the lane. The palette holds pinks, oranges, and greens with small turquoise accents, which gives an entryway or hallway real color without needing anything else on the wall. It also works in a living room, where the vertical format fills the slice of wall beside a window or door.
Some paintings calm a room while this one cheers it. The scene is a village lane in full bloom, where bougainvillea spills over a wall and pots of orange and yellow flowers line the sunlit steps. Rooms that face north or get little afternoon sun benefit most, since the warm pinks and oranges supply a glow the window cannot. There is also a quieter effect worth naming. A picture of a path gives your eye somewhere to go, which makes a small room feel less closed in. Through gray winter months the lane stays in full summer bloom, and that steadiness is what it gives the room every day.
The two colors that carry this canvas are the magenta-pink of the bougainvillea climbing the left wall and the orange of the potted blooms beneath it. Warm pinks have long been associated with affection and welcome, while orange is linked to cheerfulness, so the pairing reads as friendly rather than harsh. What keeps all that warmth livable is the stone. Nearly half the painting is sun-washed cream steps, a quiet field that gives the hot colors room to breathe. The result is a wall of color that lifts a room's mood without shouting at it.
Up close the palette shows a clear structure. The warm side gathers on the left, where magenta, crimson, orange, and yellow blooms stack from the pots up toward the rooftop. The cool side answers in small doses, with turquoise shutters on the right window, a teal planter by the steps, and lavender shadows across the foreground stone. Between them sits the cream of the walls, the neutral that lets both sides register.
The composition is built around the lane itself. Wide stone steps enter at the bottom edge and climb away from you, narrowing between the flowered wall on the left and the stucco house on the right. A small iron lantern with an amber glow hangs where the lane bends, so the eye has a destination at the end of the path. In the lower right corner, a branch of round orange fruit leans into the frame and points you back toward the steps. That loop, up the lane to the lantern then back down the branch, keeps the picture feeling alive rather than posed.
Each canvas begins with a coat of gesso, which gives the paint grip and guards against cracking. The large fields go down first, the pale sky, the cream walls, and the broad slabs of the steps, then that base is left to dry completely. Only over a cured ground can the thick work begin, so the bougainvillea petals, the orange blooms in their pots, and the lavender shadow strokes are built with a knife in raised layers that hold their edges. Because heavy paint dries slowly, the sessions are spaced across days rather than hours. The finished painting cures fully before it is packed.
This painting suits the rooms where you want energy at first sight. An entryway is its natural home, since a lane full of flowers is a warm greeting, while the vertical format fits narrow entry walls. As vibrant wall art for a hallway it turns a pass-through space into something worth slowing down for. In a living room, hang it where the seating faces it, so the path in the picture gives the eye somewhere to travel. It can work in a bedroom as well, though its palette wakes a room up more than it winds one down.
Wondering what to hang beside a lane this full of flowers? Give it company that lets it stay the loudest voice on the wall. The layered misty blue mountain ridges impressionist painting (IA114) works as a quiet counterweight, since its soft gray-blue bands rest the eye after all this color. The sunlit green rolling hills painting (IA113) is the closer echo, repeating the greens and warm sunlight of the steps while staying calmer overall.
For placement above a console or sofa, choose a width about two-thirds of the furniture's width, and center the canvas around 57 to 60 inches from the floor. On a narrow entry wall the vertical format can simply run tall. Every size is painted to order, and you approve photos of your finished painting before it ships.
The large cascade on the left wall is painted as bougainvillea, the climbing plant that covers Mediterranean villages in magenta and crimson every summer. Below it sit pots of orange and yellow blooms, a mound of purple flowers, and a branch of round orange fruit entering the lower corner. Everything is rendered in thick knife strokes rather than fine botanical detail, so the flowers read by color and mass.
Yes. The magenta bougainvillea can shift toward softer rose, the orange pots can lean more yellow, or the whole scene can be repainted in a gentler pastel register. Every change is made by hand with brush and knife rather than a digital filter. True customization is a painting that fits the wall and your colors, not a question of which artist signs it.
Warm white and cream are the safest choices, since they extend the sun-washed stone of the steps onto the wall. A very soft gray also works, letting the flower colors carry the room. Skip strongly colored walls, because bold on bold flattens both.
It is one of the best uses for it. The vertical format fits the narrow walls entries offer, while the sunlit lane gives people something warm to arrive to. In a hallway it rewards the repeated glances a pass-through space produces.
That is an impressionist habit worth knowing about. Painters in that tradition noticed outdoor shadows are rarely gray, since they pick up reflected color from the sky and nearby surfaces. Here the lavender patches on the stone stand in for cool sky light, while the orange ones carry warm bounced light, which keeps even the shadows lively.
Dust it now and then with a soft, dry brush, working gently over the ridged flower areas. Never use a damp cloth on the textured surface. Hang it away from harsh direct sun, which ages any painted surface over time.
It will be very close, though not stroke for stroke identical, because every canvas is painted fresh by hand. The knife work in the flowers naturally varies a little from piece to piece. You receive photos of your own finished painting to approve before it ships.
On a narrow entry or hallway wall, let the vertical format run tall and keep several inches of clear wall on each side. Above a console, choose a width near two-thirds of the furniture. Any dimensions are possible, since each canvas is made to order.