Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
The skirt of this dancer is built almost entirely from greens, moving from soft sage through bright chartreuse to a deep emerald near the hem. Those greens would feel calm on their own, so the painter cuts through them with slashes of coral, red-orange, and salmon pink. Because green and red-orange sit across from each other on the color wheel, each one makes the other look brighter where they meet. Small white knife marks are dropped into the skirt as well, which keeps the bright colors from blending into one another. The pale cream background holds all of this movement without competing, while two thin flowers, one pink and one yellow-green, echo the skirt colors at the edges.
When a painting carries this much color, the easiest approach is to let it lead and build the room outward from its palette. Start with the cream background as the wall color, in a warm white or soft greige, so the greens keep their glow. Bring the sage and emerald into the room through a few textiles, such as a linen cushion or a folded throw, then let natural oak or walnut furniture carry the warmth. A single coral or terracotta accent, like a ceramic vase, picks up the red-orange slashes in the skirt. Hung on a tall entryway wall, above a living room sofa, or beside a bedroom dresser, this vertical canvas sets the tone the rest of the room follows.
Each canvas is painted by hand, so a run of these will carry small differences from one piece to the next. The dancer keeps her movement and her position on every canvas, and the emerald and coral stay in the same balance. The knife strokes that carry the spin land differently every time, which is inside a normal and acceptable range. If several rooms need a tight match, tell us at the order and we paint the run against one reference canvas.
Movement has to go on in single confident strokes, which means the painting is quick but the setup is not. Plan on about nine to ten business days for one to five pieces and about fourteen for a batch of twenty. Large formats suit this design and the schedule barely moves with size, so an oversized version for a stairwell is not a longer wait. If you want the palette changed per floor, that is decided before we start and costs nothing on the date.
Most homes have a tall, narrow wall that is hard to fill, such as the space beside a doorway or the run above a stair. A wide painting looks cramped there, while a small one looks lost. This vertical dancer painting is shaped for exactly that wall. The figure spins upward through the frame, her green skirt sweeping out below while her dark hair reaches toward the top edge, so the eye is pulled up the full height of the canvas. That upward pull makes a narrow wall feel taller, turning an awkward gap into a clear focal point.
The composition is built on movement. The dancer stands just off center, her weight turned so the skirt fans out in a wide arc across the canvas. Your eye tends to enter at the small dark topknot, drop down the pale line of her back, then follow the green folds outward as they open into the light. Along the way, the coral and red-orange strokes act like signposts, keeping the eye traveling through the skirt rather than settling in one place. The pale flowers at the edges mark the outer limits of that motion.
The surface is worked mostly with a palette knife, which shows in the long, flat blades of paint in the skirt. Each canvas begins on a gesso ground that gives the paint something to grip and helps guard against cracking over time. The pale background is laid in first and left to dry, then the green skirt is built over that cured layer in broad knife pulls, so the raised edges hold their shape. The white and coral flecks go on last, standing just off the surface. Because that relief is real, side light catches the ridges and gives the flat greens real depth.
This is an uplifting, spring-like painting, so it belongs where a lift in energy is welcome. It works well in an entryway, where its movement gives a strong first impression, and in a living room, where the green skirt pulls a natural, plant-filled scheme together. A bedroom that leans fresh rather than moody suits it too. The loose brushwork and modern figure fit contemporary, organic modern, or eclectic interiors, sitting next to rattan, linen, and blond wood.
Because the painting already supplies the color, the walls around it should stay quiet. Warm white, cream, and soft greige are the safest backdrops, since they match the pale ground of the canvas and let the greens read clearly. A very cool, blue-white wall is worth avoiding, as it can make the warm greens look dull. A soft sage wall is a bolder option, provided it stays lighter and grayer than the skirt so the two greens do not compete. Test a swatch in your own light first, since greens shift between daylight and lamplight.
Looking to give this spinning dancer a companion on a nearby wall? Two coastal pieces sit naturally beside her. The pink and orange citrus coast painting (IA58) echoes the coral slashes in the skirt, so the two canvases share a warm thread. For a cooler counterweight, the deep blue flowering cliff seascape (IA59) brings a calm block of sea blue that balances the green and movement in the dancer.
For placement above a console, a sofa, or a bed, choose a width about two-thirds of the furniture below it, and center the canvas around 57 to 60 inches from the floor. On a tall, narrow wall, let the vertical format run high instead. Every size is painted to order, and you approve photos of your finished dancer before it ships.
It shows a single dancer captured mid-turn, painted in a loose, modern style. Her skirt fans out in sweeping greens, from soft sage to bright chartreuse, cut through with strokes of coral and salmon pink. The background is a quiet cream, with two small flowers sketched at the edges.
Warm white, cream, and soft greige are the easiest matches, because they share the pale ground of the canvas and let the greens stay vivid. A cool blue-white wall can dull the warm greens, so it is worth avoiding. If you want color on the wall, a muted sage that stays lighter than the skirt can work well.
Yes. Because each canvas is painted by hand to order, the skirt can be shifted toward more emerald, cooler mint, or softer pastels, depending on the room. You tell us the direction, and the colors are repainted to match rather than filtered or printed.
It works well in an entryway, a living room, or a fresh, light bedroom, where its uplifting movement is welcome. As a vertical piece, it is especially good on a tall, narrow wall that a wider painting would leave looking cramped.
Send the sizes and how many pieces you need and we reply within twelve hours with a price per piece, your volume rate and the full trade price list. If you want the emerald and coral rotated for different floors, mention it and we quote the variations together.
Dust it now and then with a dry, soft brush, following the direction of the knife strokes. Avoid damp cloths on the raised paint, and keep the canvas out of long hours of direct sun so the greens stay true.
It will look very close, though not identical stroke for stroke, since each dancer is painted individually by hand. That small variation is part of what makes it an original rather than a print. You receive photos of your own finished canvas to approve before it ships.
Above a sofa or console, aim for a width around two-thirds of the furniture below. On a tall, narrow wall, let the vertical format run high, since the upward sweep of the figure is what makes the piece work.