Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Almost everything on this canvas is water, yet its most important mark may be the smallest one. Near the horizon on the right, a single white sailboat tilts in the wind, painted with just a few strokes. Cover it with your thumb and the sea becomes pure pattern, beautiful but hard to measure. Uncover it and the scale snaps into place, since the boat tells you how wide the water is and how far away the deep blue line sits. It also gives the eye a resting point after all that turquoise movement. Small as it is, it carries the entire sense of distance.
Turquoise is vivid, so the wall behind it should stay soft. Crisp white gives the water its cleanest and most tropical read, while warm sand beige brings out the peach notes scattered through the foam. Pale gray works too, though it cools the mood, which suits a bedroom meant for winding down. In a ventilated bathroom the canvas turns a plain wall toward clear shallows, and in a living room it pairs naturally with light woods and off-white fabric. The one wall to avoid is saturated blue or green, because it competes with the sea instead of framing it.
Move a lamp across this canvas at an angle and the foreground lights up, because the wide strokes of lilac, cream, and pale blue are real ridges of paint. A printed seascape shows a picture of texture, whereas this surface actually has it, with edges that throw small shadows as the light shifts. The white crest of the breaking wave physically stands higher than the teal water around it. That is why the piece reads one way at breakfast and another way at night. Each canvas is painted by hand to order, and you approve photos of yours before it ships.
Open water is the most forgiving subject there is for a wall that has to work behind furniture, because there is nothing in the composition to be blocked by a sofa or a console. The turquoise reads from the far side of a room. There is no glass to reflect a downlight or crack in transit, and light dusting is the only care it needs. If a piece in a set is damaged, we can repaint it from the same design.
Turquoise shallows have long been associated with rest, safety, and ease. Water this color is usually warm, clear, and shallow enough to show the bottom. Deep navy reads instead as open ocean and unknown depth, so this painting keeps its darkest blues at the far horizon. The canvas places you on the safe side of that line. You stand at the water's edge, where lilac and cream foam slides over wet sand, while the one white sailboat marks how far away the deep water begins. Part of the calm people feel here comes from that arrangement.
The painting is organized in three horizontal bands. The foreground is the widest, a sweep of pale blue, lilac, and cream knife strokes that reads as foam sliding back off wet sand. The middle band carries the action, where a white-crested wave breaks over patches of deep teal and emerald. The top band settles everything, with calm turquoise stripes running out to a dark blue horizon under a peach-lit sky. Because each band is quieter than the one below it, the eye travels from motion at your feet to stillness in the distance. The small sailboat sits exactly where that stillness begins.
Every piece starts with a coat of gesso, the primer that lets thick paint grip the canvas and keeps it from cracking later. The artist then blocks in the large fields, laying the turquoise bands with the pale sky first, then letting them dry completely. The heavy foreground comes after that, with wide knife strokes of cream, lilac, and pale blue dragged over the cured base so their edges stay crisp. Between sessions the paint needs real drying time, which makes a single canvas a project of days. A full cure follows before packing, so the ridges arrive exactly as painted.
Bedrooms come first, because the palette runs cool while the motion resolves into stillness at the horizon, a helpful direction for a room meant for sleep. As a teal seascape painting for a bedroom, it hangs well above the headboard at about two thirds of the bed's width. It also holds up as a turquoise beach painting for a bathroom, provided the room is ventilated and the canvas hangs away from spray. In the living room this turquoise ocean wall art reads as a window onto clear water above a light sofa.
Would you like the same shoreline at a different hour of the day? The golden sunset tide and surf canvas (CA60) shows surf washing a golden beach at dusk, so the two together read as morning and evening of one perfect day. For stronger contrast, the blazing orange and red sunset over water canvas (CA59) acts as a bold warm counterweight to all this cool turquoise.
For a spot above a bed, sofa, or console, keep the width near two thirds of the furniture and set the center at 57 to 60 inches from the floor. Each size is painted to order for the wall. Before shipping, you approve photos of your finished sea.
Yes, one small white sailboat sits near the horizon on the right side. It is painted with only a few strokes, yet it gives the whole stretch of turquoise its sense of scale. Cover it and the water reads as pure pattern, so that little boat is doing quiet but important work.
Crisp white, warm sand, and pale gray all frame turquoise well, each nudging the mood in a slightly different direction. White reads tropical, sand reads warm, and gray reads calm. Steer away from saturated blue or green walls, which compete with the water instead of setting it off.
They can. The turquoise can deepen toward teal, the peach flecks can warm up or come out entirely, and the lavender foreground can cool toward gray. Each request is mixed and painted by hand, not run through a filter, because a customized canvas should genuinely fit the room.
In a bathroom with decent ventilation, yes, and it is a natural subject for one. Keep it out of direct shower spray and give the room airflow. The oil surface handles normal humidity well under those conditions.
Yes. We are the studio that paints it, here in Dafen Art Village, so you buy at the source. The depth of the turquoise can be set to suit a scheme, and a run for several rooms can be painted against one reference canvas.
Brush it lightly with a soft, dry brush when dust settles on the ridges. Water and damp cloths should stay away from the textured passages. Long hours of direct sun will slowly tire the turquoise, so pick a wall out of the harshest light.
The palette and composition will match very closely. The individual knife strokes vary from canvas to canvas, since each one is painted fresh by hand, and that variation is what marks it as art rather than a print. Photos of your own piece come to you for approval before shipping.
The wet sand is painted as a mirror for the sky, so lilac and soft cream strokes stand in for the reflections you see on a real beach at the waterline. Those cool pastel notes also keep the foreground light instead of muddy. It is one of the painting's most distinctive passages up close.