Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
For a painting this saturated, the most important color might be the one that does the least. The upper two-thirds of the background is a single flat field of muted olive-tan, with almost nothing painted into it. That calm, open space is what allows the ruby red drapery, the deep purples, and the emerald greens below to feel as bold as they do. It also gives the lavender-gray cat, stepping in from the right with its tail raised, a quiet stage to stand on. Without that restraint overhead, the lower half of the canvas would feel crowded, whereas here the eye gets a place to rest before returning to the sleeping figure in her white dress.
Bold, flat-color figure paintings like this one belong in interiors that are happy to be seen. In an eclectic or maximalist living room, the ruby reds and purples can talk back to a patterned rug or a jewel-toned velvet sofa without any clash. A modern or mid-century room suits it as well, where the simplified shapes and confident color sit against clean furniture and warm wood. Over a sideboard in a dining room, the reclining pose brings a relaxed, human note to a space built for gathering. It can even anchor a boldly painted bedroom, as long as the rest of the room keeps its patterns in check so the painting stays the main event.
Each canvas is painted by hand, so a run of these will show small differences from piece to piece. Both figures keep their poses on every canvas and the ruby and purple hold the same depth across the order. Expressive brushwork is the point of this design, so the strokes are never identical, and that stays inside a normal and acceptable range. If a project needs the pieces closer, we paint the run against one reference canvas.
Two figures on one canvas means two shapes that both have to be right. For one to five pieces allow about ten business days. A run of twenty sits at about fifteen. Bigger is easier here. If you are considering this design under twenty four inches, ask us for a proof at that size before you commit to a batch.
The colors here do not describe the world so much as react to it, with a lavender-gray cat, an emerald couch, and pools of ruby red that no photograph would record. That freedom has a history. In the early 1900s a group of French painters nicknamed the Fauves, meaning the wild beasts, used color for feeling rather than accuracy. The Expressionists who followed pushed the idea toward raw emotion and bold, simplified shapes. This canvas sits in that line, using flat, unmixed color and a dreamlike figure to set a mood.
What places it in the expressionist tradition is not only its color but its handling of the figure. The woman is simplified into a few smooth, confident shapes, her white dress and pink skin laid down as flat areas rather than shaded forms. The cat is reduced further, to a soft gray silhouette with two bright eyes and a curling tail. Nothing here is fussy or photographic. The mood is gentler than much early expressionist work, since the scene is one of rest rather than anxiety.
The composition runs on a long diagonal. The woman lies back from the lower left toward the right, her dark hair spilling off the edge behind her while her legs stretch across a fall of red fabric. That diagonal keeps the pose relaxed and unforced. The cat enters from the upper right, its raised tail and downward gaze creating a second, smaller line that leads back toward her face. Between them, the plain background holds steady, so the eye travels along the figure, up to the cat, and back again.
Each canvas is painted by hand to order, starting with a gesso ground that gives the paint grip and helps resist cracking. The muted olive-tan background is laid in first and left to dry, setting the calm field the figures sit against. The large color areas come next, built over that dry ground so the ruby reds, purples, and greens stay clean where they meet. The figure, the white dress, and the cat are painted over these fields, then left to cure across several days rather than hours. Only once the surface is fully dry is the canvas packed.
Because it carries so much color, it does best in rooms that give it space. A living room is the natural home, above a sofa or console, where the reds and purples set the seating area's palette. A dining room works too, since the restful pose suits a room where people linger. In a bedroom, it brings drama to the wall behind the bed, as long as the bedding stays plain. Keep the surrounding walls calm, in warm white, greige, or a soft muted olive that picks up the background.
Wondering what to hang alongside this reclining woman and her cat? Two coastal paintings keep the mood bold without competing. The bright blue and orange harbor houses canvas (IA60) shares the same fearless, saturated color, so it reads as part of the same lively family. For a calmer partner, the deep blue flowering cliff seascape (IA59) offers a cool stretch of sea that settles the room after all the red and purple here.
For placement above a sofa, a sideboard, or a bed, pick a width close to two-thirds of the furniture underneath, and hang the center around 57 to 60 inches from the floor. As a horizontal painting, it spreads across a wide wall and suits a low, long piece. Each size is painted to order, and you see photos of your finished canvas for approval before it ships.
A woman in a white dress lies back and rests with her eyes closed, her dark hair spilling over the edge of a heap of colorful cushions. A lavender-gray cat steps in from the right, tail raised, watching over her. The whole scene is painted in bold, flat color against a calm olive-tan background.
Keep the wall quiet so the painting can be loud. Warm white, greige, and soft muted olive all work, and the olive has the bonus of echoing the background of the canvas. Steer clear of a strong colored wall, since it will fight the reds and purples instead of framing them.
Yes. Since each canvas is repainted by hand to order, the reds can be deepened, the purples softened, or the whole palette warmed or cooled to suit the room. You give us the direction you want, and it is mixed and painted to match rather than color-shifted after the fact. In the end, a painting becomes yours less through a signature on the front and more through colors chosen to fit the room.
It sits in the expressionist and Fauvist tradition, where color is chosen for feeling rather than for accuracy. That is why the cat is lavender-gray and the couch is emerald, colors that set a mood rather than copy real life.
Yes. One order can mix a large version for a lounge with smaller ones for guest rooms, in portrait or landscape. They are painted together and ship together. Figure work reads better at larger sizes, so we will tell you honestly if a size in your list is too small.
A living room is the most natural spot, above a sofa or console where the bold color can lead the palette. It also works over a sideboard in a dining room, or on the wall behind a bed if the rest of the bedroom stays calm.
Dust it occasionally with a dry, soft brush. Avoid damp cloths, which can drag on paint, and keep the canvas out of long hours of direct sunlight so the reds and purples hold their depth over the years.
It will be very close, though never identical down to the last brushstroke, because every version is painted by hand. That slight difference is what marks it as an original. You approve photos of your own finished canvas before it ships.