Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
From across the room, this canvas reads as one warm band of color, a sunny harbor town doubled by its own reflection. Walk closer and the band breaks into hundreds of separate knife marks. Each window is a single dark dab, each hull a few clean strokes, and the red blooms in the corner are thick presses of paint you could find with a fingertip. The reflections turn out to be long vertical pulls of orange, gold, and teal dragged through wet color. Both readings are complete pictures. The far one gives a room its glow, while the near one rewards anyone who stops to look.
Horizontal paintings change how large a room feels, and this one is built unusually wide. Its long shoreline pulls the eye from side to side, which visually stretches whatever wall it hangs on. That makes it a strong choice above a dining room sideboard, where the row of colorful houses runs parallel to the table below. It performs the same trick above a living room sofa, filling the wide horizontal gap that two small frames never quite solve. In a home office it can run above a desk or a credenza. Wherever it hangs, give it space on either side, since crowding a panorama cancels the effect.
Some paintings set a mood once, while this one keeps producing it. The coral, gold, and teal facades meet you with holiday energy in the morning, then deepen into something warmer under evening lamplight. The red blooms in the foreground read as high summer no matter what the weather outside is doing. A dining room picks up the feeling of a long meal outdoors, since the palette leans toward sun, food, and open air. In a workspace, the busy little harbor offers a cheerful view whenever you look up from the screen. That daily lift is the real reason people hang bright coastal art.
Warm coral, orange, and gold dominate this canvas. Those colors have long been associated with appetite, sociability, and energy, which is why so many restaurants decorate in this range. The teal harbor water cools the mix, since blue-greens are linked with calm and ease, so the painting delivers warmth without letting a room overheat. The warm tones stack up in the houses, then repeat in their reflections, while the cool tones hold the water and the sky. A room borrows both, which is why this canvas can energize a dinner table yet still feel relaxed.
Structurally this is a complementary scheme, with red-orange facades set against blue-green water, the strongest pairing on the color wheel. The painting keeps that contrast from turning harsh in two ways. First, every strong color repeats in a softened form, since each rooftop reappears in the reflections as a blurred, gentler version of itself. Second, small bridges connect the two families, with pink blossoms at the quay and yellow blooms in the foreground carrying warmth down into the teal zone. White hulls and a pale sky give both sides somewhere neutral to rest. The result reads as lively balance, not a clash.
The town runs in a long band across the upper third, anchored by the bell tower near the center. Below it, moored boats set a rhythm of masts, short vertical lines stitching the buildings to their reflections. The water then doubles the whole scene in soft vertical pulls of orange, gold, and teal. In the lower right, a branch of thick red and yellow blooms cuts across the corner on a diagonal, adding depth the way a photographer uses a foreground object. The eye circles from tower to boats to flowers, then starts again.
A coat of gesso goes down first, giving the canvas enough grip to hold heavy paint through years of seasonal swings. The base fields follow, with the peach sky, the green hillside, and the broad teal of the harbor laid in, then dried before any detail arrives. The buildings, the boats, and the blooms are then built with a knife on top of that cured ground, so each facade edge stays raised along with every petal ridge. Real drying time separates the sessions, so the painting comes together over days. Only after a final cure is it wrapped for shipping.
The dining room is the natural first stop, since the palette leans social while the panoramic shape matches the width of a sideboard. As colorful harbor wall art for a dining room, it gives guests something to look at, then talk about. Living rooms take it just as well. A Mediterranean harbor painting for a living room works best on a neutral sofa wall that lets the coral and teal supply the color for the whole space. It also serves as bright coastal town art for a home office, offering a cheerful view without demanding attention.
Want a second view to hang near this harbor? The warm orange and pink sunset valley canvas (CA61) echoes the coral rooftops and the blooming branches almost tone for tone, so the two feel painted on the same evening. For a closer subject match, the golden sunset tide and surf canvas (CA60) keeps the coastal thread while its blue waves calm the palette, making it the quieter counterweight.
Hang the panorama at about two thirds the width of the sideboard or sofa beneath it, with the center falling 57 to 60 inches from the floor. Whatever size the wall calls for, the piece is painted to order. You sign off on photos of the finished harbor before it ships.
It is painted in the spirit of Mediterranean harbor towns rather than as a portrait of one address. The coral and gold facades, the bell tower, and the moored boats read as the coast many people remember from travel, so the scene fits personal memories instead of competing with them. If you have a specific harbor in mind, the colors can even be nudged in that direction.
Warm white and soft cream are the safest, since the canvas already supplies coral, gold, and teal in quantity. A very pale sage can echo the hillside greens without competing. Strong colored walls fight a palette this rich, so keep the background quiet.
Yes, and not with filters. The scene is repainted by hand at any size, the teal water can shift deeper or brighter, and the foreground blooms can lean more red or more pink. True customization means a painting that fits the room, not just the version that was photographed first.
Very closely in palette and layout, though a knife-built scene with this much detail never repeats itself stroke for stroke. Small differences in the blooms and reflections are the signature of hand work. Before shipping, you receive photos of your own canvas to approve.
Go over the surface occasionally with a soft, dry brush, working carefully along the thick petal ridges. Never use a damp cloth on textured passages. Hang the canvas away from long hours of direct sun so the reds hold their strength.
It is one of the best dining room candidates in the collection. Warm coral and gold have long been associated with appetite and gathering, while the panoramic format matches the width of a sideboard wall. Guests tend to find one small detail, such as the beacon at the end of the pier, and keep exploring from there.
They are painted loosely, in thick red, orange, and yellow dabs on dark branches, so they read as summer blooms rather than one labeled species. Their job is to frame the harbor and pull warm color into the near ground. Up close they carry some of the heaviest paint on the canvas.
Measure the sideboard and aim for a canvas about two thirds of its width. This panorama works best large, since the town's detail opens up with scale. Center it 57 to 60 inches from the floor so it lines up comfortably with both seated and standing views.