Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Nearly everything on this canvas is a shade of blue, from the periwinkle mountains to the deep water of the bay. The warmth arrives in small, deliberate doses. Terracotta roofs and cream house fronts gather on the right, while pink blossoms and round orange fruits fill the near corner. Blue and orange sit opposite each other on the color wheel, so each small warm note makes the water look bluer. The lavender sky blends the two sides, keeping the contrast soft instead of loud. That balance is why the painting reads as sunny rather than busy.
If you have not chosen the room colors yet, let this canvas decide them. Pull the wall color from its pale lavender-gray sky, which behaves like a warm neutral in most light. Take slate blue from the mountains for a sofa or bedding, then borrow terracotta from the rooftops for cushions or a throw. Pale oak, rattan, and a little brass carry the coastal feeling without turning the room into a theme. The same recipe calms a bedroom, where the blues take the lead while the warm accents shrink to a pillow or a lamp. Everything holds together because each of those colors is already on the canvas.
A high view over a bay tends to attach itself to a memory. For some people it is a honeymoon drive along the coast, while for others it is one afternoon on a terrace that never quite left them. If you have stood above a harbor town like this one, the painting keeps that day in your daily line of sight. If you have not been yet, it can hang as a plan rather than a souvenir. Either way it earns its wall by giving you a specific place to return to for a few seconds at a time.
Most homes have one long wall that never looks finished, usually the stretch above a sofa or a bed. A standard square canvas leaves bare drywall on both sides, so the wall still reads as empty. This painting was composed for that exact spot. The bay runs the full width of the canvas, with sparkling blue water filling the left side while a town of terracotta roofs and cream facades climbs the hillside on the right. Since the scene itself is wide, nothing feels stretched or cropped. A panoramic seascape canvas for a wide wall solves the proportion problem that square art cannot.
The view sits high above the water, the way a coastal road looks down on a harbor. A blue mountain headland runs in a long diagonal from the upper right toward the sea, which pulls the eye across the whole bay. Below it, the town steps down to the shore in small strokes of peach, yellow, and coral. The foreground belongs to the garden, with pink blossoms, round orange fruits on a branch, and a single palm at the right edge. Thousands of pale yellow flecks scatter across the water, so the surface reads as afternoon light moving on the sea.
The sparkle in the water is physical. Each canvas begins with a coat of gesso, which gives the paint grip and protects it from cracking later. The broad fields come first, the lavender sky and the deep blue of the bay, and they must dry fully before any relief goes on. The raised work follows, with knife-built dabs of pale yellow and white laid over the cured ground so their edges stay sharp. Because each layer needs real drying time, a painting like this takes days rather than hours, then cures completely before packing. Once it hangs, side light makes every raised fleck cast a tiny shadow, which is why the bay appears to glitter.
Blue is associated with calm, which makes this piece easy to live with in the rooms where you spend the most time. As blue coastal wall art for a living room, it holds a sofa wall without shouting, since the pink blossoms and orange roofs keep the palette friendly rather than cold. In a bedroom, the soft lavender sky supports rest. It also earns a place as Mediterranean wall art for a home office, because a long view with a far horizon gives tired eyes somewhere to travel between tasks. Keep the wall itself white, sand, or pale gray.
Wide art is usually bought too small, which leaves the wall looking patchy. Measure the furniture below before you decide, then let the canvas claim most of that width rather than floating in the middle. This composition scales up gracefully, because the sky and open water stay airy at large sizes while the town keeps its detail. On an open wall, treat the wall itself as the measure and go larger than instinct suggests.
Wondering what could hang near this bay without competing with it? The navy, mustard, and orange impasto abstract (XA04) repeats the painting's deep blues and warm roof tones in pure abstract form, so the two feel related across a room. For a quieter companion, the lavender field with a lone tree canvas (CA80) picks up the lavender sky and pink blossoms while bringing the calm of open countryside.
Above a sofa or console, choose a width close to two-thirds of the furniture below, and center the canvas around 57 to 60 inches from the floor. Every size is painted to order, and you approve photos of your finished piece before it ships.
It shows a high view over a blue Mediterranean bay, with a mountain headland in the distance and a town of terracotta roofs stepping down to the water. In the foreground, pink blossoms, orange fruits, and a single palm frame the view. The vantage point feels like standing on a coastal road above the harbor.
White, sand, and pale gray give the blues room to carry. A strongly colored wall would fight the water instead of framing it. Test a swatch in your own light first, because blues shift between daylight and lamplight.
Yes. The water can deepen toward navy, or the blossoms can soften toward blush, and every change is repainted by hand rather than filtered. A real custom piece is one that fits the room, not one that carries a famous signature.
It is one of the best placements for it. A long view with a far horizon gives your eyes somewhere to travel between screen sessions, while the calm blues keep the room steady. The detail in the town rewards the occasional closer look.
Measure the furniture and aim for a canvas close to two-thirds of its width. The panoramic format is forgiving of low ceilings because it gains presence through width rather than height.
Pass a dry, soft brush over the surface now and then to lift dust. Skip damp cloths entirely, since moisture can settle into the ridges. Hang it away from strong direct sun to protect the colors over the years.
Very closely, though the sparkle dabs on the water will never repeat stroke for stroke, because each canvas is painted by hand. You receive photos of your own painting and approve them before it ships.
Hundreds of small raised dabs of pale yellow and white sit on top of the blue field. They catch real room light and throw tiny shadows, so the surface glitters as you move past it. A printed image stays flat and cannot do this.