Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Across a room, this panoramic canvas shows a lavender field at sunset, with purple and orange rows running back toward one lone tree under a butter-yellow sky. From two feet away the field stops being a field. Each row breaks into hundreds of thick dabs of violet, red-orange, and gold, pressed on with a knife so the blooms physically rise off the surface. Even the sky is built from broad troweled slabs rather than smooth blended color. The painting gives you both experiences, a wide calm landscape from the sofa and a dense map of paint whenever you walk past.
A wide panoramic format does the opposite job of a tall one, since it stretches a wall sideways rather than lifting it. The rows of this lavender field run with that width, so the whole composition pulls a room open toward its corners. Above a sofa it fills the long empty band that most living room walls leave bare. Above the bed it sits wide, low, and calm, doing the settling work a headboard does. It suits a dining room sideboard for the same reason, because the horizontal line of the furniture continues straight into the horizon of the field.
Printed lavender canvases exist by the thousand, and from a phone screen they can look similar to this one. On a wall the difference is immediate. Here every bloom is a physical dab of paint, so the purple rows carry real ridges that catch light and throw small shadows as the day moves. Run your eyes along the troweled sky and you can follow the direction each slab was pulled. A print stays perfectly flat and perfectly still, whereas this surface keeps responding to the room around it. That response is what you are buying when you choose hand-painted work.
Purple is a color most properties use sparingly, which is exactly why one strong lavender piece can carry a whole room without the rest of the scheme having to follow it. The lone tree gives the composition a focal point that reads from a distance. There is no glass over the surface, so no glare from a downlight and nothing to break in transit. Light dusting is all the care it needs. A damaged canvas can be repainted from the same design to match the others in the order.
Lavender carries more association than most flowers. The plant has long been tied to calm and rest, while its fields have come to stand for slow summer evenings in the French countryside. The lone tree at the end of these rows adds a second thread, since a single tree in open land has long been read as steadiness. Even the sunset joins in, the butter-yellow sky and pink horizon band marking the settled end of a day.
The composition uses one of the oldest tools in landscape painting, converging lines. Rows of purple, orange, and gold start wide at the bottom edge, then narrow as they run back, meeting near the lone tree just left of center on the horizon. A sandy path threads between the rows, giving the eye an easy road in. Because the tree sits at that meeting point, every look ends in the same calm place. The horizon stays in the upper third, so most of the picture is field, which keeps the format wide and settled on a wall.
The build starts with gesso priming, which gives heavy paint something to grip over the long term. The sky goes on early, troweled in broad cream and gold slabs, then the ground must dry before field work begins. Once it cures, the rows go in with a knife, thousands of raised dabs of violet, red-orange, and green, each thick enough to keep its shape. Paint this thick needs real drying time between sessions, so one canvas takes days rather than an afternoon. A full cure comes last, before the painting is wrapped for shipping.
Lavender field wall art for the bedroom is the classic choice, since the palette leans calm and the wide format sits naturally above a headboard. The living room is the other obvious home, where a panoramic lavender canvas can stretch across the empty band above a sofa. In a dining room it hangs well over a sideboard, the long horizon echoing the furniture line beneath it. Whatever the room, favor soft walls such as warm white, pale gray, or gentle greige, because the purples and golds read cleanest against quiet backgrounds.
What belongs on the wall next to a field of lavender? Two knife-painted landscapes make natural neighbors. The panoramic blue bay and headland canvas (IA55) shares the wide format and answers the warm rows with cool sea blues, a quiet counterweight echoing this hazy horizon. The heavy impasto red maple by water painting (TA42) comes from the same knife-built family, so its reds and oranges pick up the warm rows in this field.
For a wall above a sofa, bed, or sideboard, aim for a canvas about two-thirds the width of the furniture, hung so the center sits 57 to 60 inches from the floor. A panoramic piece can go slightly wider when the wall allows. Every canvas is painted to order at your size, and photos of the finished painting come to you for approval before shipping.
The tree marks the point where all the rows converge, so it works first as a compositional anchor. Beyond that, a single tree in open land has long been associated with steadiness and quiet endurance. The painting never insists on that reading, though it is part of why the scene feels settled.
No minimum, and trade pricing applies from one piece. The lone tree gives the composition a clear focal point, which is why it is often ordered in quantity for rental portfolios. A whole run can be painted against one reference canvas if the rooms need to match.
Yes. The field can lean almost entirely lavender-purple, keep more of the warm orange and gold rows, or shift its sunset cooler to suit the room. Each version is genuinely repainted by hand to your direction. A truly custom canvas is one that fits the room and your story, not one defined by who signed it.
Warm white, soft greige, and pale gray give the purples the calm backdrop they need. Very pale sage can also work, since it picks up the green foliage between the rows. Strong colored walls fight the sunset tones, so keep the background quiet.
It is one of the best formats for the space above a headboard, wide and low with a calm palette. The purple rows and soft sunset lean restful rather than energizing. It also works over a sofa or a dining sideboard where a long wall needs filling.
Dust the raised rows occasionally with a soft, dry brush and nothing more. Water and cleaning sprays should never touch the textured surface. Position it away from harsh all-day sun to protect the violets from fading.
The palette and composition will match closely, though the thousands of individual knife dabs can never repeat exactly, since every canvas is painted from scratch. That slight difference is what separates a painting from a print. You approve photos of your own canvas before it leaves the studio.
Use the two-thirds rule, choosing a canvas about two-thirds the width of the sofa, centered 57 to 60 inches from the floor. Panoramic pieces can stretch a little wider if the wall is generous. Any dimensions are possible, because every canvas is painted to order.