Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
The petals on this canvas are not laid down flat. Each one is a thick, radiating pull of a palette knife that stands off the surface, so the burnt orange and coral blooms catch the light instead of only holding color. In morning light the oranges and cadmium yellows read fresh and open. Under an evening lamp, every raised ridge casts its own small shadow, which turns the same flowers deeper and warmer. The cool blue-gray background stays quiet while this happens, so your eye keeps returning to the warm center where the light does the most work.
Picture this piece just inside an entryway, where its warm blooms are the first color you meet coming through the door. In a living room it does similar work over a sofa, pulling a cool, neutral wall into life without crowding the seating below. Because the background is soft blue-gray rather than another bright field, the painting reads as bold up close yet calm from across the room. It also suits a bedroom wall that faces the door, since the orange flowers greet you while the dripping teal base keeps the mood settled. Keep the surrounding wall in white, cream, or pale gray, so the flowers stay the loudest thing in the room.
This is a painting built to stay on the wall far longer than most furniture lasts. It is worked in oils on a stretched linen canvas, which holds heavy paint better than thin cotton and resists sagging over the years. The thick knife strokes in the orange petals are cured in layers, so the raised edges you see are solid paint rather than a printed effect that could flake. Kept out of harsh sun and dusted gently, an oil piece like this holds its color for decades. That makes it less a decoration you replace than a fixed part of the room.
The large radiating blooms at the top of this canvas read as chrysanthemums, painted in burnt orange and coral with dark navy centers. Across many cultures the chrysanthemum has long been associated with warmth, abundance, and the turn into autumn. This painting borrows that association without copying a botanical study. Instead of a tidy vase arrangement, the blooms burst upward, then dissolve into a run of teal and white at the base, so the piece feels closer to a memory of flowers than a record of them.
A real chrysanthemum is neat and symmetrical, with tightly packed petals in an even dome. This painting keeps only the feeling of that flower. The petals here are broad knife strokes that fan out unevenly, some tipped in cadmium yellow, others in red-orange, so no two are alike. Real blooms sit still, whereas these look caught mid-motion, the whole bouquet lifting off the cool background. That gap between the real flower and the painted one is where the piece finds its energy, since you read it as flowers first, then as pure paint.
The palette is built on a warm-cool contrast. Burnt orange, coral, and red-orange carry the flowers. Behind them a field of pale blue-gray, periwinkle, and teal cools the ground, so the blooms look brighter. At the base the teal deepens and mixes with white, sage green, and a little violet, where the flowers seem to melt into a soft curtain of drips. Small notes of cadmium yellow and green thread through the middle, tying the hot center to the cool edges.
The surface is built up by hand in stages rather than painted in one pass. First the linen is primed with gesso, which gives the paint something to grip and guards against cracking later. The cool blue-gray background is laid in and left to dry, forming a firm ground. Only then are the orange petals built on top with a palette knife, each thick stroke pulled while the layer beneath is already cured, so the raised edges keep their shape. The drying happens over days, not hours, and the piece is fully cured before packing, so the ridges across the flowers are solid paint rather than a printed texture.
Painted flowers are not a passing choice for a wall. In its annual survey of interior designers, the marketplace 1stDibs found that floral and botanical motifs ranked as the most favored vintage pattern for 2026, a sign of how steadily this subject holds its place. This canvas fits that interest yet stands apart from a printed floral, because the chrysanthemums are constructed in thick, physical paint rather than reproduced on a flat sheet. The burnt orange and teal reads as current, while the hand-built surface gives it a permanence a trend print does not have.
Looking for a companion to hang beside these chrysanthemums on a larger wall? Two coastal pieces from the same studio work in different directions. The turquoise and orange Amalfi cliffside canvas (IA37) echoes this painting directly, since its warm rooftops over turquoise water repeat the same palette. For a calmer balance, the misty blue harbor village seascape (IA38) acts as a quiet counterweight, cooling the wall so the flowers keep the spotlight.
For placement above a console or sofa, choose a width about two-thirds of the furniture below it, then center the canvas around 57 to 60 inches from the floor. Because this is a vertical design, it also stands well alone on a narrow wall. Every size is painted to order, and you approve photos of your finished piece before it ships.
The blooms read as chrysanthemums, painted in burnt orange, coral, and red-orange with dark navy centers. They are treated loosely rather than botanically, so the piece works as an abstract floral as much as a flower study.
White, cream, and soft gray are the safest backgrounds, because they let the warm blooms and cool base stay vivid. A pale blue-gray wall can also work, since it repeats the painting's own background. Skip strong, saturated wall colors, which compete with the flowers.
Yes. Every canvas is painted by hand to order, so the orange can be pushed warmer, the teal base cooled, or the whole palette shifted toward the room. Real customization has little to do with whose name sits on the canvas. It is about a painting shaped to fit the room it will live in.
Below the flowers, the paint runs down in strokes of teal, white, sage green, and violet, so the bouquet looks like it is dissolving into water. It is painted on purpose, giving the lower third of the canvas a soft, calm counterweight to the bold blooms above.
It works well in an entryway as a first hit of color, over a living room sofa, or on a bedroom wall facing the door. The bold flowers carry a large wall, while the cool background keeps the piece from feeling busy.
Dust it now and then with a dry, soft brush. Avoid damp cloths on the raised knife strokes, and keep the canvas out of long hours of direct sun so the oranges stay true.
It will match very closely, though not stroke for stroke, since each one is painted by hand. That small variation is the mark of a real painting rather than a print. You receive photos of your own finished canvas to approve before it ships.
Aim for a width around two-thirds of the sofa below it, and center the canvas near 57 to 60 inches from the floor. As a vertical piece it can also run tall on a narrow wall between windows or beside a door.