Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
From across the room, this canvas reads as three soft blooms, blush pink beside creamy white, resting on a pale gray ground that carries faint lilac and peach tints. Step closer and the flat impression falls away. The large white peony in the center is built from thick, knife-pulled petals that stand off the surface, each one throwing a small shadow around its little golden center. The blush pink bloom on the left is layered the same way, petal over curling petal, while short sage-green strokes gather at the base. That change from a quiet distant view to a ridged, tactile close-up is exactly what a hand-built impasto flower is meant to do.
This is a wide horizontal painting, and that shape does a specific job on a wall. The three blooms span almost the full width, so the piece already carries the eye from side to side and the wall behind it feels broader than it is. That makes it a natural fit above a bed, a sofa, or a dining sideboard, where one wide piece fills the space better than a small frame stranded in the middle. Keep the wall itself calm, in warm white or soft greige, so the blush and cream blooms stay the center of attention. In a bedroom it quiets the room, whereas in a dining room it adds warmth without competing with the table.
Each canvas is painted by hand, so there will be small differences from piece to piece across a run. The bloom holds its scale and its place on every canvas, and the blush pink stays at the same softness across the order. The petal edges and the height of the paint are what vary, and that sits inside a normal and acceptable range. If a project needs the pieces matched more closely, we paint the run against one reference canvas.
Thick petal work needs drying time between passes, so this design sits at the top of its band. Count on roughly ten business days for one to five pieces, and about fifteen for a run of twenty. It reads well from a distance, so on a large wall a single bigger canvas is usually a faster and cleaner answer than a pair of smaller ones.
A large wall over a bed or a sofa is one of the hardest spots to fill. Leave it bare and the room feels unfinished, yet a loud, high-contrast piece can make a restful space feel busy. This blush pink and white peony painting solves that in-between problem, because its blooms read as large and calming at the same time. The pale gray ground keeps the background soft, while the thick cream and blush petals give the eye something rich to settle on. You get a floral wall art piece with real presence that still lets a bedroom or living room stay peaceful.
The canvas is arranged around three main blooms that overlap across a wide format. The creamy white peony sits just left of center and holds the most detail, with its layered petals opening around a small golden center. A blush pink bloom balances it on the left, cooler and softer in tone, while paler flowers drift toward the right edge, then fade into the background. Short sage-green leaf strokes anchor the lower middle, giving the pale blooms a base to rest on. Since the flowers run edge to edge, the composition reads as full and generous rather than sparse.
Each canvas begins with a coat of gesso that grips the paint and guards against cracking as it dries. The soft gray background, tinted with lilac and peach, is troweled on first and left to cure, so it sits flat behind the flowers. Only then are the petals built up in thick knife strokes over that dried ground, which is how the white peony keeps its raised, standing edges instead of sinking in. The paint dries between sessions across days rather than hours, and the piece is fully cured before it is packed. Because the petals are genuinely raised, they catch changing light, so the blooms look soft in morning daylight yet deepen under a warm evening lamp.
This piece belongs in the rooms where softness is welcome. Over a bed it works especially well, since the soft blush palette reads as calm and warm at the end of the day. In a dining room it hangs nicely above a sideboard, adding a gentle floral note that flatters a set table without overwhelming it. A living room can carry it above the sofa, so long as the surrounding colors stay quiet. It suits soft, layered interiors built from oak or walnut wood, linen, and a little brass, where the raised petals echo other natural textures in the room.
Most people choose wall art a size too small, which leaves it floating alone above the furniture. A wide floral canvas like this one looks best when it spans about two thirds of the width of the bed, sofa, or sideboard beneath it. Hung on its own, aim to center the piece near 57 to 60 inches from the floor, measured to the middle of the canvas. Because the format is horizontal, it fills a broad wall more comfortably than a tall, narrow frame would. Every size is painted to order, so the proportions can be matched to your exact measurements rather than chosen from a fixed set.
Searching for a friend for this blush and white peony? For a close relative, the cream, gray, and peach abstract face (TA09) shares the soft peach and cream tones and the same thick, buttery paint, so the two feel made together. For a cool counterweight, the teal, beige, and white coastal seascape (TA06) brings calm teal, so it steadies the pair and lets the pink bloom stay the star.
For placement over a sideboard or sofa, choose a width about two-thirds of the furniture's width, and hang the center around 57 to 60 inches from the floor. When the three go up together, let the peony lead from the center, with the two companions a little smaller on either side. Every size is painted to order, and you approve photos of your finished canvas before it ships.
The canvas centers on a large creamy white peony with a small golden center, joined by a blush pink bloom on the left and softer white and pink flowers toward the right. Short sage-green leaf strokes settle in at the base. Every petal is painted in thick impasto, so it stands off the surface rather than lying flat.
Warm white, cream, and soft greige are the safest companions, since they let the blush and cream blooms stay the focus. Avoid a strong colored wall, which competes with the flowers and dulls them. Test a swatch in your own light first, because blush shifts between daylight and lamplight.
Yes. Because every canvas is hand-painted to order, the pink can lean deeper toward rose, the whites can warm or cool, and the background can shift greige or blue-gray to suit the wall. True customization is not about which artist signs the canvas. It is about a painting that genuinely fits the room, so tell us the direction you want and we will match it.
No minimum, and trade pricing applies from the first piece. Buyers often take one first to see the relief in person, because raised paint never photographs the way it looks on a wall. A larger run is priced on exactly the same terms afterward.
It works best over a bed, where the calm palette suits a restful room, and above a dining sideboard, where it flatters a set table. A living room sofa wall is a third strong option. Keep the surrounding walls and furniture quiet, so the blooms lead.
Dust it now and then with a dry, soft brush. Avoid damp cloths on the raised petals, since moisture can settle in the ridges. Keep the canvas out of long hours of hard, direct sun to protect the colors.
Very closely, though not stroke for stroke, since each peony is shaped by hand and the knife work varies slightly from piece to piece. That small variation is part of what makes it an original painting rather than a print. You approve photos of your own finished canvas before it ships.
Aim for a width around two thirds of the bed, sofa, or sideboard below the painting, and center it near 57 to 60 inches from the floor. Because this is a horizontal design, it fills a broad wall better than a tall frame. Every size is painted to order, so it can be matched to the wall.