Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
The color in this portrait works by contrast. Warm skin tones in cream, beige, and soft peach are laid against cool passages of gray, so the face seems to step forward out of its background. Deep black and glossy navy slabs anchor the top of the head and the jaw, giving the soft tones a firm edge to push against. Small sparks of coral, mustard, and blue sit near the cheek, where those few bright notes keep the neutral palette from turning flat. Since warm colors tend to advance while cool grays recede, the contrast is what lets a face read clearly out of loose, abstract strokes.
One easy way to decorate is to let the art lead, then pull the room's colors from it. This portrait hands you a ready palette. Take the soft greige and cream for the walls and larger furniture, carry the gray into a linen sofa or curtains, then repeat the black accents in a slim metal frame, a lamp base, or picture hardware. A single coral cushion or vase picks up the small coral spark on the cheek, tying the whole scheme back to the canvas. Built this way, a living room, home office, or entryway feels collected rather than matched from a store set.
Every canvas is painted by hand, so a run of these carries small differences from one piece to the next. The face keeps its shape and its position on every canvas, and the cream, gray and peach stay in the same proportions. The thickness and direction of the marks change from one to the next, which is inside a normal and acceptable range. If several rooms need matching, tell us at the order and we paint the run against one reference canvas.
A face built in thick paint takes both drawing time and drying time. Plan on about ten business days for one to five pieces and about fifteen for a batch of twenty. Larger sizes read better and are no slower. Under twenty four inches the features start to fight the texture, so we will send a proof before running a small batch.
The palette here leans on neutrals, and neutrals carry quiet associations. Gray has long been associated with calm, balance, and a certain understated sophistication, which is why it anchors so many modern rooms. The warm cream and peach skin tones soften that coolness, since warm neutrals are often linked with approachability and comfort. Together they give this abstract portrait a mood that is thoughtful rather than cold, held steady by the black and navy accents at its edges. The small coral and blue sparks add just enough life to keep the face from feeling somber. That balance is why the piece can set a reflective tone without weighing a room down.
The color is organized into a few clear families. A broad field of cool gray fills the background and the shadowed side of the face, setting a calm base. Over it, the skin is built from warm cream, beige, and peach, worked in thick horizontal pulls that catch the light. The darkest weight comes from a glossy black slab at the crown and a deep navy passage beside it, both of which sharpen the softer tones. Scattered accents of coral, mustard, and clear blue appear at the cheek, temple, then the lower edge. Those bright points are small on purpose, so the neutral scheme stays in charge while the face keeps a pulse of color.
The face is built from broad, angled slabs rather than fine lines, so you read it as a whole before you notice any single feature. The head tilts gently, with the lit cheek turned toward you and the far side dropping into gray shadow. Your eye tends to enter at the dark crown, travel down the bright ridge of the cheek, then settle at the quiet mouth and jaw. Toward the edges the features loosen and dissolve into open strokes, which keeps the portrait feeling modern instead of literal. That mix of a clear center and a dissolving edge is what gives the canvas its still, inward mood.
Each canvas starts with a gesso primer that gives the oil paint something to grip and helps guard against cracking. The gray background and the shadowed planes are laid in first and left to dry, forming a flat base. The skin is then built over that dried ground in thick knife slabs, so the raised cream and peach strokes hold their edges instead of sinking back. The black and navy accents are worked heavier and smoother, which is why they sit forward and catch more light than the matte skin. Drying happens between sessions across days rather than hours, then the piece is fully cured before packing.
This is a piece for rooms that can hold a quieter, more reflective mood. A home office suits it well, since a calm face gives the eye somewhere restful to land between screens. In an entryway or hallway it makes a strong first impression without shouting, while over a bed or a living room console it settles the space. The neutral palette sits naturally against greige, warm gray, or soft white walls. It fits contemporary or mid-century rooms built from wood, linen, and a touch of black metal. Keep the surrounding decor simple, so the portrait stays the focal point.
Curious what pairs well with this soft abstract face? For a warm relative, the blush pink and white peony painting (TA07) picks up the same peach and cream family and the same thick impasto, so the two read as siblings. For a fresh counterweight, the turquoise, beige, and green aerial beach painting (TA11) adds cool water tones, so it lifts the grouping and keeps the face gentle and clear.
For a wall above a console or sofa, pick a width close to two-thirds of the furniture below, and place the center near 57 to 60 inches from the floor. If you group all three, keep this face in the middle so it leads, with the companions slightly smaller on each side. Every size is painted to order, and you approve photos of your finished piece before we pack and ship it.
It is an abstract portrait of a woman's face, built from thick palette-knife slabs rather than fine detail. You can read the tilt of the head, a lit cheek, and a quiet mouth, while the features loosen toward the edges. The skin is painted in warm cream and peach against cool gray, with black and navy accents framing it.
Greige, warm gray, and soft white are the easiest matches, since they stay in the same neutral family as the painting. Avoid a strong colored wall, which fights the subtle skin tones. Test a swatch in your own light, because gray shifts between daylight and lamplight.
Yes. Because each canvas is hand-painted to order, the skin can go warmer or cooler, the gray background can soften, and the coral and blue accents can be toned down or left out. Tell us the balance you want and we will match it, since a painting should fit the room rather than the reverse.
It leans reflective rather than dark, so it suits a bedroom that is meant for winding down. If you want it lighter, the softer gray colorway keeps the same face with a calmer feel. In a guest room or a home office, the standard version works as painted.
A home office is one of its best spots, since the calm face gives your eyes a place to rest between tasks. It also works in an entryway, a hallway, or over a living room console. Keep the nearby colors quiet, so the portrait leads.
Dust it occasionally with a dry, soft brush. Avoid damp cloths on the raised knife slabs, since moisture can collect in the ridges. Keep the canvas out of long hours of direct sun to protect the colors.
Very closely, though not stroke for stroke, since the knife work varies slightly on every hand-painted piece. That small variation is part of what makes it an original rather than a print. You approve photos of your own finished canvas before it ships.
Aim for a width near two thirds of the furniture below, and center the canvas around 57 to 60 inches from the floor. As a vertical portrait, it also suits a narrow wall or a spot beside a doorway. Every size is painted to order, so it can be matched to the wall.