Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
The figure in this painting borrows a silhouette painting lovers will recognize, the wide gown and fan-shaped headdress of a Spanish court portrait in the manner of Velázquez's Meninas. The treatment, though, is pure cubism. Face, bodice, and skirt are broken into flat facets and re-tiled in rust, amber, and honey, with a golden handkerchief folded in her hand like a piece of origami. On the table beside her sits a tiny clock tower, a wink that pulls the old subject into the present.
The canvas holds one family of color from edge to edge, terracotta through amber to deep umber. That single-palette discipline makes it easy to place. On a cream or clay-toned wall it glows like late afternoon. In rooms with rattan, aged brass, or Persian rugs it looks instantly at home, which suits boho and eclectic interiors especially well. Give it lamplight rather than spotlight, since warm light deepens the oranges beautifully.
Look along the grid of her gown in the close-up photos. Every tile boundary is a painted edge, slightly raised, slightly irregular, with the underlayer breathing through. A printed reproduction of cubist work always betrays itself here, because its edges are uniformly crisp and its surface uniformly flat. This canvas is painted by hand, facet by facet. The small wobbles between tiles are the signature of the process, and they are what make the painting worth standing close to.
This painting compresses three centuries of art history into a single figure. The silhouette, a young woman in a court gown with a fan headdress, points to Velázquez and the Meninas tradition of Spanish portraiture. The execution points to Picasso and Braque, who broke figures into facets so a viewer could sense every side at once. Picasso himself spent a late period repainting Las Meninas dozens of times in cubist form, and this canvas stands in that lineage of homage, affectionate rather than solemn, down to the tiny tower on the table.
The face is divided into two halves of light and shade, a classic cubist device that lets calm and alertness share one expression. The gown is the composition's engine, a grid of rust and amber tiles that swells to fill the lower half of the canvas. The golden handkerchief breaks the grid with sharp diagonal folds, giving the eye one irregular event among the order. Nothing is shaded realistically, yet the figure reads as fully dimensional, which is the cubist trick this painting performs well.
Keeping every tone in the orange family is a bold constraint, and it is what gives the canvas its warmth. Terracotta and amber are associated with earthiness and welcome, while the deep umber shadows keep the composition from floating away. A monochrome-warm painting behaves like a textile on the wall, adding color temperature to a room rather than competing with its palette. The facets are painted in separate sessions over a primed ground, each field drying before its neighbor is filled, which is why every tile holds a clean edge with the underlayer breathing through.
This painting suits rooms where conversation happens, a dining room, a study, a reading corner. The figure gives guests something to decode, and the warm palette keeps the mood generous. It pairs naturally with boho and vintage interiors, though it also relieves the seriousness of a very modern room. Hang it where lamplight reaches it in the evening, and keep the wall cream, clay, or warm gray.
Part of this painting's value is that it rewards a second look. First you see a warm geometric figure. Then the court gown registers, then the split face, then the miniature tower. Art that unfolds in stages earns its wall space, because it keeps offering the viewer something after the first month. That is the practical case for figurative work over pure pattern in rooms you use daily.
Wondering what to hang beside this rust terracotta cubist woman? The rust and cream wabi-sabi canvas (WA02) repeats the same terracotta warmth, so the two feel like close relatives. The blush, sage, and cream color-block (MA01) is the quiet counterweight, since its soft blush cools the room while staying in the warm family.
For a spot above the sofa or a slim console, keep the width near two-thirds of the furniture, and hang the center around 57 to 60 inches from the floor. Every size is painted to order, and you see photos of the finished piece before it ever leaves our studio.
A style developed by Picasso and Braque around 1907 that breaks subjects into facets so several viewpoints show at once. This figure applies the idea to a classic Spanish court portrait.
No. It is an original composition that nods to the Meninas silhouette the way Picasso's own late variations did, as homage. The colors, the facets, and details such as the small tower are unique to this piece.
Yes. The terracotta can shift toward blush and rose, or deepen toward brick and chocolate. Each canvas is painted to order, so name the direction you prefer.
Cream, clay, and warm gray keep the glow. Cool white will sharpen it, which some rooms want. Avoid strong blues nearby unless you want a deliberate complementary jolt.
Dining rooms, studies, and reading corners first, where a figure gives the room company. It also anchors an entryway with real presence.
Yes. We are the studio in Dafen Art Village that paints it, so there is no gallery or reseller between you and the easel. Designers, hospitality buyers and staging companies order the same way, and the rust and terracotta can be tuned to a scheme before we start.
Above furniture, about two thirds of its width. The gown's grid stays legible even at modest sizes, though the facets reward scale.
Very closely. Facet edges vary slightly piece to piece, because each one is painted by hand. You approve photos of your own canvas before it ships.