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Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.

Three colors do most of the work in AA19. Rust and burnt orange break up the left side in rough knife marks. Black fills a large block on the right, with a straight top edge a little above the middle. Powder blue and pale cream glow in the open areas above it and to the left. Where they all meet, near the center, a narrow amber point climbs from a stepped amber block. The cream strokes under that block are the thickest paint on the canvas, laid with a knife so their edges stand up and catch light. Everything else, from the top glow to the deep blue in the lower right, is blended soft.

This painting holds warm and cool color in one tall shape, which makes it flexible. On a cool blue gray wall, like the reading chair shown here, the powder blue blends into the wall and the amber point seems to glow. On cream plaster or warm taupe, the rust and black look richer and the blue becomes the cool accent. Sage green works too, as the living room photo shows. Walnut, cognac leather, terracotta and brass repeat the warm side, while gray linen or a slate cushion repeats the cool side. Rust and blue abstract art for a living room often hangs best above a reading chair or the end of a sofa, and this tall shape suits those spots.

AA19 needs two kinds of handling, and the painter assigned to it does both every day. One painter carries the canvas from the first sketch to the last knife mark. The plan comes first on premium linen: the straight top of the black block, the amber point and the column of rust. Next, the soft glow and the blurred lower half are blended with a wide brush. The rust, cream and powder blue go on last with a palette knife, thick enough to leave raised edges. Every color is mixed on the palette and compared with this design before it touches the canvas. We paint in acrylic unless you ask for oil, and oil adds time. Before release, the finished canvas is photographed in daylight and sent to you for approval.
A single canvas or a set of up to five takes about 7 to 10 business days. From six to twenty pieces, allow about 10 to 15, with the 60 and 72 inch heights at the longer end.
AA19 is built around one straight line. A little above the middle, on the right side, pale light ends and a black block begins, as clean as a horizon at dusk. Everything else plays against that edge. On the left, a column of rust marks drops from the top almost to the bottom. In the center, a narrow amber point climbs past the line into the light. Below the line, the shapes go soft and streaky, and the rust and cream repeat as if reflected in still water. So the eye travels up the amber point, out along the horizon, then down into the deep blue glow in the lower right.
Seen from a doorway, AA19 looks smooth and glowing, almost like a photo taken through fog. Step closer and the surface changes. The cream strokes under the amber block are thick and broken, with raised edges. The pale blue patches on the left are scraped on in flat flakes, and the rust marks are rough and dry. This mix matters on a wall. The soft areas keep the painting easy to live with, while the knife work gives people something to look at when they stand near it in a hallway, beside a bed or by a reception desk.
Rust and burnt orange are the complements of blue on the color wheel, and pairs like this intensify each other. Designers often use this warm and cool pairing to create a focal point, and it shows up here in two places. At the top, rust marks lie over powder blue. At the bottom right, deep blue glows inside the black. Warm orange tones are often linked with energy and welcome, while blue is widely associated with calm. The black block keeps the contrast in check, and the pale cream glow keeps the whole canvas light enough for a small room.
AA19 suits places where people sit and wait or come home to rest. In a hotel lounge or a restaurant entry, the rust and amber look warm under evening light. In an office, the strong black block and straight line give a modern, orderly feel, which helps in meeting rooms and reception areas. In a guest bedroom, the soft lower half and the deep blue keep the mood restful. Because the colors are earthy, the painting sits well with walnut, leather and brass, which are common in hotel and restaurant projects. The art for hotels page explains how sizes, palettes and framing are planned for a hotel order.
All seven standard sizes share the same 3 by 2 shape, from 24 by 16 inches to 72 by 48 inches. That makes it easy to use AA19 at more than one scale in one project. A boutique hotel might hang the 72 by 48 inch canvas in the lobby, the 36 by 24 inch size in guest rooms and the 24 by 16 inch size in a corridor. The layout stays the same at every size, so the amber point and black block are always where guests expect them. If a wall needs a size outside the list, it can be painted to your exact measurements, keeping the 3 by 2 shape.
Two earthy designs make good partners. The slate blue and rust plaster wabi-sabi painting (WA09) uses the same warm and cool pair in heavy, torn plaster shapes, so the two belong together without looking like copies. For a stronger geometric partner, the rust, ochre and charcoal mid-century abstract (AA03) repeats the rust and the dark tones in layered curves.
Hang AA19 with its center about 57 to 60 inches from the floor, and keep the top of the frame well under the ceiling above tall furniture. A thin gold edge around both paintings ties the pair together.
The straight top of the black block works like a horizon, and the amber point beside it can look like a tower or a sail at the edge of dark water. Below, the rust and cream marks repeat in soft, blurred streaks, much like reflections. Other people see only blocks of warm and cool color. No real place is shown, so the painting fits any project.
Cream, warm white and taupe make the rust and black look deep and warm, as the entryway and living room photos show. For more contrast, a cool blue gray or a soft sage wall lets the amber point stand out. Avoid bright orange or strong terracotta walls, which compete with the rust, and pure black walls, where the dark block disappears.
AA19 is a tall 3 by 2 rectangle, so height matters above furniture. Above a queen headboard, the 36 by 24 or 40 by 27 inch size leaves space under a standard ceiling. Over a dresser about 40 inches wide, the 36 by 24 inch size meets the two thirds rule. Save the 60 by 40 and 72 by 48 inch sizes for lobbies, stairwells and walls with no furniture below.
Yes. The rust can deepen toward brick or lighten toward copper, the powder blue can lean teal, and the black block can soften to charcoal for a lighter room. The amber point can be made taller or shorter. Send a photo, a paint code or a fabric, and the new mix is checked against it on the palette before painting starts.
The cream strokes below the amber block, the pale blue patches on the left and the rust marks are laid with a palette knife, so they stand a little proud of the surface and pick up light from the side. The glow at the top right and the blurred lower half are smooth. It counts as a textured painting, though the paint stays well short of plaster or sculpted relief.
Yes, in the things that matter for a project. The straight black edge, the amber point, the rust column and the deep blue corner stay in the same places on every canvas. The knife marks themselves vary slightly between canvases, which is normal for hand painting. For a hotel or office run, the first canvas you approve sets the standard for the rest.
A thin gold frame picks up the amber point and warms the black, as the room photos show. A black frame repeats the black block and gives a sharper, modern edge. It can also be made in wood, white or silver, left frameless on stretcher bars, or rolled in a tube when compact shipping matters most.
Send AA19 on WhatsApp with the sizes, the piece count and the delivery address including the postcode. You usually get a reply right away. Email also works, with a reply usually within 12 hours. There is no minimum order. The paintings are quoted EXW our Shenzhen studio, and freight follows once the address is confirmed, delivered to your door or handed to your forwarder.