Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
The tutu on this canvas is scattered with real gold leaf, and that changes how the painting looks all day long. In flat morning light the gold sits quiet against the deep blue, more warm glimmer than shine. As the sun moves and a lamp comes on in the evening, those metallic flakes catch and flash, so the skirt seems to sparkle where the light strikes it. The blues shift too, since the raised knife strokes in the navy and teal throw small shadows that deepen after dark. The pale gray background stays calm through all of it, which lets the dancer hold center stage. No two hours look quite the same on this surface.
Picture this painting on the wall above a bed, its gold catching the first light as the room wakes up. The blue and gold tutu brings a soft shot of color to a calm bedroom without shouting, since the palette stays cool and the background is quiet gray. It suits a romantic, restful space, where a single graceful figure feels more personal than an abstract or a landscape would. In a living room it works just as well over a console or a reading chair, giving the corner a touch of quiet glamour. Warm metal accents nearby, such as a brass lamp or frame, pick up the gold in the skirt.
This dancer is made for you one canvas at a time, not printed from a file. It starts when you confirm the size and any changes you want, so the piece is planned for your exact measurements. The studio then blocks in the soft gray background and the figure, lets that base dry, and builds the blue skirt in thick knife strokes before the gold leaf is laid on last. When the painting is finished, you receive photos to approve, so you can see how the gold and the blues came together before it leaves the studio. Nothing ships until you are happy with it. That way the ballerina on the wall is truly one of a kind, gold leaf and all.
A dancer seen from behind, gathering her hair above a wide blue skirt, is the kind of image that does not date. This canvas leans on that lasting appeal rather than a passing fashion, since the ballet figure has drawn painters and collectors for well over a century. The subject reads as graceful and quietly romantic, and it carries the same feeling in a modern home that it did in an older one. A hand-painted figure like this stays welcome year after year.
The palette rests on a strong meeting of cool and warm. The skirt runs through deep navy, cobalt, and teal at the top, then lightens into pale icy blue lower down, so the tutu looks like moving water. Threaded across it are flakes of real gold leaf, brightest through the middle of the skirt where they gather like scattered petals. Against all that blue, the dancer's skin is a soft blush pink and her hair a loose black knot, painted more smoothly than the skirt. The hushed dove-gray background keeps every eye on the figure.
The composition sets the dancer just above center, turned away so her bare back and raised arm form a calm vertical at the top. From the waist down, the skirt bursts outward in a fan of knife strokes that fills the lower two-thirds of the square. That contrast of a still upper body over a burst of movement below is the heart of the design. Your eye lands first on the figure, then follows the blue skirt down and out to the edges, where the gold flakes lead it back in. Being square, it holds together as a balanced image on a wall of its own.
This dancer is built up in the same patient layers as our other canvases. The canvas is first primed with gesso, a ground that grips the oil and keeps thick paint from cracking as it dries. The soft gray background and the pale skin go on early, then are left to set. The blue skirt is built next in heavy palette-knife strokes over that dried base, so each sweep of navy and teal keeps its raised edge. Only near the end is the gold leaf pressed in, where it sits proud of the paint and catches the light. Every layer dries for days before the finished canvas cures and is packed.
This is a piece for the calmer, more personal rooms. Its cool blue and gold palette settles into a bedroom, where a graceful figure above the bed sets a romantic, restful tone. A living room takes it well over a console or a reading chair. For walls, soft neutrals do the most, so warm white, greige, and pale gray let the blues deepen and the gold shine.
Thinking of giving this dancer a companion on a larger wall? Two of our blue-toned coastal paintings sit well beside her. The deep blue sea and cypress path canvas (IA57) echoes the same rich blues in the skirt, so the pair feels connected across the room. For a warmer contrast, the flowering coast with a citrus branch canvas (IA58) brings soft orange and pink into the mix, which keeps the dancer's cool palette from feeling one-note.
For placement above a bed, a console, or a sofa, choose a width around two-thirds of the furniture below, and center the canvas near 57 to 60 inches from the floor. As a square painting, it also hangs beautifully alone as a single focal point. Every size is painted to order, and you approve photos of your finished dancer before it ships.
It shows a ballet dancer seen from behind, reaching up to her dark hair, with a full skirt that fans out in blues from deep navy to pale turquoise. Real gold leaf is scattered through the skirt, and the background is a soft, quiet gray.
Yes. The skirt can lean cooler toward navy or brighter toward turquoise, the amount of gold can be increased or eased back, and the background can shift to a warmer tone. Each canvas is repainted by hand to your direction rather than filtered, so the look is yours to set.
Soft neutrals suit it best, so warm white, greige, and pale gray let the blues deepen and the gold catch the light. A strongly colored wall tends to fight the skirt, so keep the background calm. Test a swatch in your own lighting first.
A bedroom is the most natural home, where the graceful figure and cool palette feel calm above the bed. It also works in a living room over a console, or in a dressing area, wherever you want a touch of quiet glamour.
Rolled in a tube, stretched, or framed, whichever the project needs. Rolled is usually best on a large order because it cuts freight volume sharply. Prices are EXW our Shenzhen studio, so we quote freight separately once we know the destination and the finish you want.
The gold is applied as metallic leaf pressed into the surface, so it sits slightly raised and reflects the light rather than looking flat or printed. That is why the skirt seems to sparkle as the light in the room changes.
Dust it lightly with a dry, soft brush, and avoid damp cloths on the raised paint and the gold leaf. Keep it out of long, direct sun, which can age both the oil and the metallic finish over time.
Very closely, though each dancer is painted by hand and the knife work and gold placement vary a little from one to the next. You approve photos of your own finished canvas before it ships, so you always see the real piece first.