Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Orange and magenta sit close together on the color wheel, so instead of clashing they read as one warm family with two distinct voices. On this canvas the orange petals carry pale peach highlights along their ridges, while the magenta blooms stay deep and saturated from edge to edge. What keeps all that heat in order is the dark forest green packed between the flowers, because green is the natural counterweight to both. The raw cream ground does the rest of the work, framing the bouquet with quiet space on every side. The result is a palette that feels bold at first glance yet balanced the longer you look.
Start with a calm wall in warm white or cream, since the orange and magenta supply all the color the room needs. Bring in light oak or walnut for the larger furniture, then repeat the painting's deep green with a live plant rather than more paint. Black metal picks up the thin black frame, so a lamp or chair legs in matte black tie the wall to the rest of the room. For textiles, keep to ivory linen with one cushion in terracotta or fuchsia pulled straight from the petals. Styled this way it works as orange and magenta floral wall art for a living room, while a dining room sideboard gives it the same calm backdrop.
Every petal on this canvas is a single thick pull of paint, shaped with a knife and left standing off the surface. Run a light across it and the curled edges throw real shadows, which a printed floral cannot do because print is flat by nature. Even the background tells the truth here, since the weave of the canvas shows through the cream ground around the bouquet. A printed texture look repeats the same pattern on every copy, whereas this relief is built by hand for each order. That difference is easy to feel with your fingertips and easy to see from across the room.
The petals on this canvas come in two saturated families, a red-leaning orange and a deep magenta, with almost nothing pale between them. Warm colors in this range have long been associated with energy and appetite, which is why they appear so often in rooms where people gather. Magenta in particular reads as festive without tipping into red's intensity. Because both families are carried in thick, glossy paint rather than flat color, their effect is softened by the small shadows along every ridge. The room gets the lift of bright color, while the sculpted surface keeps that color from feeling loud.
The palette holds four positions. Orange leads, running from apricot ridges to red-orange shadows across roughly half the blooms. Magenta answers it in dense clusters that sit slightly cooler. Deep forest green fills the gaps between the flowers, with a few sprigs of lighter spring green escaping toward the edges. The fourth position is the unpainted one, a soft cream ground where the bare canvas frames the bouquet. That open border matters more than it seems, since it gives two competing warm hues somewhere to rest.
The blooms are not arranged in a vase or tied into a formal bouquet. They spread across the square canvas in loose diagonal drifts, with the orange flowers forming a rough band from the upper left toward the lower right. The magenta clusters cross that band in the opposite direction, so the two colors keep trading places as your eye moves. Green stems and leaves knit the drifts together, while the cream ground breaks through at the corners to let air in. Because the structure is woven rather than centered, the painting has no single focal flower. It reads as abundance, which is exactly what a loose garden armful looks like.
The canvas is first primed with gesso, which gives the heavy paint something to grip and protects it from cracking as it cures. The green fields and the cream ground go down next, then dry fully before anything else happens. Only after that are the petals built, each one a thick stroke pulled with a knife over the cured base so its raised edge holds its shape instead of sinking in. A painting with this much relief cannot be rushed, since every layer needs real drying time before the next. The whole piece then cures for days before it can be packed.
This is a natural piece for the rooms where people gather. As a vivid flower painting for a dining room, it earns its place above a sideboard, where a warm palette suits long dinners. In a living room it can anchor the sofa wall as long as the wall itself stays calm, in warm white, cream, or soft greige. It also works as colorful flower wall art for a home office, since a burst of saturated color gives the eye a genuine break from screens. Give it daylight or a warm picture light, because the ridged petals wake up whenever light rakes across them.
Want to give this vivid orange and magenta bouquet a partner on a bigger wall? Two paintings were picked to sit beside it. The multicolor impasto flower bouquet (TA10) echoes its floral subject and thick, layered paint, so the pair reads as a matched set. For balance, the beige and peach textured wabi-sabi canvas (WA07) offers a soft, neutral counterweight, with a gentle peach tone that nods back to the orange.
For placement above a sideboard or sofa, choose a width about two-thirds of the furniture's width, and hang it with the center around 57 to 60 inches from the floor. Every size is painted to order, and you approve photos of your finished piece before it ever leaves our studio.
They are loose, gestural blooms rather than portraits of a single species. Each petal is one thick pull of paint, so the painting suggests a bright garden armful without naming the flower. That looseness is deliberate, since it keeps the focus on the color and the sculpted texture.
Yes. The same bouquet can be repainted by hand in a coral and cream direction, or cooled toward violet, because every canvas is made to order rather than filtered from a photo. True customization is a painting that fits the room, not which artist signs it. Tell us the direction you want.
Warm white, cream, and soft greige are the safest choices, since they let the saturated petals carry the room. A strongly colored wall competes with the painting, which flattens both. Test a swatch in your own light before committing.
Very closely, though not stroke for stroke, because every petal is pulled by hand. That small variation is what separates a painting from a print. You approve photos of your own canvas before it ships.
Dust the surface occasionally with a dry, soft brush. Avoid damp cloths, since moisture can settle into the ridges. Keep the canvas out of prolonged direct sunlight.
It is one of its best placements, because the warm orange and magenta palette suits rooms built around food and company. Hang it above a sideboard at about two thirds of the furniture's width. Keep the table linens neutral so the flowers stay the brightest note.
The bouquet sits on a thinly painted cream ground where the weave of the canvas stays visible. That open border is part of the design, since it gives the saturated flowers room to breathe. It also makes the thick petals look even more sculptural by contrast.
Aim for a width around two thirds of the sofa, with the center of the painting near 57 to 60 inches from the floor. Because this is a square design, it also works as the anchor of a small gallery wall. Every size is painted to order.