Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Nearly half of this canvas holds almost nothing, and that emptiness is doing serious work. The upper right opens into a pool of turquoise, mint, and pale aqua where only a few peach strokes drift like petals on water. Meanwhile the dense cluster of coral, magenta, and plum stays anchored in the lower left. The open field gives that busy corner room to breathe, the way a pause makes music land harder. Cover the blue passage with your hand and the composition collapses into noise. Restraint is the actual design here, which separates this piece from abstracts that simply fill every inch.
Pink and turquoise abstract wall art fits more rooms than its bright palette suggests. In a modern coastal scheme, the aqua field ties into rattan, driftwood, and white linen while the coral supplies the warmth those rooms often miss. An eclectic living room can hang it beside patterned textiles, because its colors are already in conversation with each other. A mostly neutral bedroom can carry it as the single saturated object in the space. It even earns a spot in a home office, where a windowless wall gains something worth looking at.
Because every canvas is painted by hand, a run of these will vary slightly from piece to piece. The structure holds every time, the same bands of pink and turquoise in the same places and the same weight of each color. Because the shapes are loose rather than drawn, they land a little differently on each canvas, and that sits inside a normal and acceptable range. If a project needs the pieces closer, we paint the run against one reference canvas.
Loose work is fast work. Plan on about seven to eight business days for one to five pieces and about twelve for a batch of twenty. This design also grows well, so a large format for a lobby wall does not push the schedule out. If you want the palette rotated by floor or by unit type, that costs nothing in time as long as we know at the order.
This abstract begins with gesso brushed over the raw canvas, sealing the weave and giving the heavy paint above something to hold onto. The wide field of turquoise, aqua, and sky blue goes down next as the base layer, then the surface rests until it is completely dry. The flowers arrive last. Working over that cured ground, the painter presses on coral, blush, magenta, and golden daubs with a knife, one pull per petal, so each stroke keeps a crisp raised edge instead of sinking into wet paint below. Days of drying separate the sessions, so the painting grows in stages rather than in one sitting, and the finished piece cures fully before it is prepared for shipping.
With no subject to lean on, an abstract lives or dies by its surface. Here the texture supplies the depth that a realistic flower picture would get from drawing. The coral and pink strokes sit physically higher than the blue field beneath, so they genuinely float in front of it the way blossoms float on a pond. Walk past the canvas and the raised edges catch light from changing angles, which makes the whole composition feel quietly alive. A flat reproduction of the same design would keep the colors yet lose that movement entirely.
The canvas balances one dense corner against one open field. Warm color gathers in the lower left, where coral, orange, magenta, plum, and touches of deep red crowd together like a flower bed seen from above. From there the strokes scatter on a diagonal toward the upper right, thinning across a pool of turquoise, mint, and lavender blue. A few pale yellow rounds sit in the blue like lily pads catching sun. Because the warm cluster and the cool field hold nearly equal strength, the painting reads as cheerful rather than loud, which is a harder balance to strike than it sounds.
This piece suits rooms that want lift without chaos. In a living room it wakes up a neutral sofa wall while the broad blue field keeps the energy in check. As a colorful abstract canvas for a home office, it gives your eyes somewhere to wander between tasks without the pull of a recognizable subject. It also works as a textured flower painting for a bedroom, especially on a wall where morning light can rake across the ridges. White, cream, and pale gray walls serve it best, since the canvas already carries all the color a room needs.
A printed abstract can reproduce these colors accurately, yet nothing on its surface rises to meet the light. On this canvas every petal stroke stands in true relief, with tool marks still visible where the knife stopped moving. Under an evening lamp the ridges throw small shadows that redraw the composition, so the painting you pass at night is not quite the one you saw at breakfast. That daily change is the practical difference texture buys.
Wondering what could hang beside this field of painted petals? The sunlit flower path impressionist canvas (IA101) picks up the same pinks in its blossoms, so the two share a palette while telling very different stories. For a quieter neighbor, the tan and green olive grove canvas (IA100) works as a calm counterweight that lets this piece hold the spotlight.
Above a sofa, bed, or console, choose a width near two-thirds of the furniture so the proportions feel settled, then center the canvas 57 to 60 inches from the floor. Yours is painted to order in the size you pick, and photos of the finished piece come to you for approval before it ships.
It reads as a flower meadow seen from above, or blossoms drifting across water, depending on the viewer. A dense cluster of coral, pink, and plum gathers in the lower left, while loose petals scatter across an open turquoise field. There is no single right reading, which is part of the appeal.
The warm side holds coral, blush pink, orange, magenta, plum, and small notes of deep red with golden yellow. The cool side runs through turquoise, mint, sky blue, and lavender, with a few dark navy patches near the base for weight.
Hang it with the dense floral corner at the lower left, the way it was composed, so the color feels anchored rather than falling. The open turquoise field then rises toward the ceiling, which keeps the whole wall feeling light.
Yes. The balance can tip toward more turquoise with fewer hot reds, or the magentas can soften to dusty rose, because every canvas is repainted by hand to your direction rather than digitally recolored. Name the mood you want and the painter will steer the palette there.
White, cream, and pale gray give the canvas a clean stage. A very soft blush wall can also work, since it picks up the coral notes. Test a swatch first, because turquoise shifts noticeably between daylight and warm bulbs.
Most people find it energizing rather than distracting, because there is no subject to read or story to follow. The open blue field gives your eyes a resting place between screen sessions. If the office leans formal, hang it behind you rather than in your sightline on video calls.
Run a dry, soft brush lightly over the ridges every few weeks to lift dust. Avoid damp cloths, which can snag the crisp knife edges. Keep the canvas away from long hours of strong direct sun.
The palette and the overall composition will match closely, while individual petal strokes land a little differently on every hand-painted canvas. That variation is what makes yours an original. You approve photos of your own painting before anything ships.