Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
From across the room this canvas reads as a coastal village at sunset, with pink, coral, and yellow houses stacked up a cliff above a deep blue cove. Walk closer and the picture changes. Every house wall is just a few loaded knife strokes, each window a single dab of dark green, each roof one pull of orange paint. The branch of orange fruit in the foreground turns out to be thick beads of color standing off the surface. That double life is the point of impressionist work, since your eye assembles the town that the knife only suggests.
A vertical painting pulls the eye upward, which makes the wall around it feel taller than it measures. This one strengthens the effect because its subject climbs too, with houses rising from the lower left corner to the cliff top at the upper right. That makes this vertical coastal canvas a natural fit for the narrow wall sections most homes leave empty. In a living room it can stand beside a bookcase or a window, while in a bedroom it fills the slot above a dresser. The cheerful pinks and yellows also make it one of the few sea paintings that feels right in a kids room.
This village is painted on stretched linen rather than printed on it. Linen is a strong natural fiber that holds its tension for decades, which matters under paint this heavy, since the thick dabs that build the houses need a stable ground. As the surface cures it hardens into a durable relief you can read with a raking light. Most decor gets replaced every few years, whereas a hand-painted canvas tends to outlast the furniture beneath it. That is why we treat a canvas like this as a long-term piece rather than seasonal decor.
The stacked houses in this painting, coral beside pink beside butter yellow, follow a real building tradition. Along the steep coasts of the Italian Riviera, villages grew upward because the cliffs left no flat land, so homes were set one above another and washed in bright warm colors. Those crowded pastel walls have long been associated with summer, ease, and the pleasure of arriving somewhere beautiful. This canvas gathers that whole idea into one climbing cluster of houses above a blue cove, without copying any single town.
A photograph of a cliff village has to accept the day it was taken, with its haze, its crowds, and its power lines. A painting gets to choose. Here the sky is turned a soft pink that flatters every house color below it, while the sea is deepened to a rich blue so the surf line glows white against the rocks. Hundreds of real windows become single dark green dabs, which keeps the town lively instead of busy. The result feels like the memory of a coastal village rather than a literal record of one.
The palette runs on warm pastels held together by two cool anchors. Coral, pink, orange, and yellow houses carry the warmth, while the deep blue cove at the upper left and the scattered turquoise walls cool the picture down. The pink sky ties the two sides together, since it repeats the house colors overhead in a paler voice. In the foreground, a dark branch heavy with orange fruit crosses the flowers, adding the strongest color note closest to the viewer. Greens tucked between the roofs keep all that warmth grounded.
The painting starts on canvas primed with gesso, a chalky ground that grips the paint and guards against cracking. The pink sky and the blue cove are laid down first as broad fields and left to dry fully. The village is then built over that cured ground one knife stroke at a time, with walls, roofs, and windows each standing as separate raised dabs. Because every layer needs real drying time, a piece this dense takes days of sessions rather than a single sitting. Only after the surface cures completely is the canvas prepared for packing.
Most seascapes calm a room with blue. This one cheers a room instead, which changes where it belongs. As pastel coastal wall art for a bedroom, it gives the morning a warm first image without shouting. It works equally well as a colorful village painting for a kids room, where the stacked houses and bright fruit give a child plenty to find. In a living room, hang it where afternoon light can rake across the dabs and throw their small shadows. Whatever the room, a calm wall in white, cream, or the palest blush lets the village carry the color.
Planning a wall around this pastel village? Two companions from our knife-painted family fit it naturally. The golden yellow naive folk horses canvas (CA37) repeats the sunny yellows of the house walls, so the two share light even on different walls. The emerald green spinning ballerina painting (CA36) offers a quiet counterweight, because a single figure on a green ground gives the eye a place to rest after the village's many rooftops.
Above a dresser or a sofa, keep the width near two-thirds of the furniture below, with the center about 57 to 60 inches from the floor. Each canvas is painted after you order it, and you review photos of your finished village before it ships.
It is inspired by the cliffside villages of the Italian Riviera, where pastel houses stack above the sea, though it does not copy one specific town. You get the feeling of that coast without being tied to a postcard view.
Yes. Ask for a paler blue sky, houses weighted toward coral or toward yellow, or a softer overall brightness for a calmer room. Each request is repainted by hand rather than filtered, since true customization means a painting that fits the room.
Warm white, cream, and very pale blush are the safest, since they let the coral and yellow houses glow. A light warm gray also works. Skip strongly colored walls, because the painting already holds plenty of color.
Better than most sea paintings, because its palette is bright and friendly rather than moody. Children also enjoy finding the small details, from the white surf on the rocks to the branch of orange fruit. Hang it high enough that small hands cannot reach the textured surface.
It is a fruiting branch with orange-red beads of thick paint, placed across the lower edge of the scene. Because it sits closest to the viewer, the town behind it reads as farther away and higher up the cliff.
Use a soft dry brush with light strokes to lift dust from between the ridges. Never wipe the relief with a damp cloth. Keep the canvas out of strong direct sunlight so the pinks and corals hold their warmth.
Extremely close in palette and layout, but not identical stroke for stroke, since every village is rebuilt by hand with a knife. Those small differences are what make it a painting rather than a print. Photos of your finished canvas come to you for approval before anything ships.
On a narrow wall, let it run tall, since the upward pull is the point of the format. Above furniture, choose a width near two-thirds of the piece below and center it around 57 to 60 inches from the floor.