Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
The palette of this bouquet is built on the three primary colors, with red anemones, a blue cornflower, plus yellow blooms in the upper corner and the lower right. Because primaries sit far apart on the color wheel, they stay bright next to each other instead of blending into mud. The purple irises and lavender petals do the bridging work, since purple carries both red and blue inside it. Green stems weave between the flowers as a natural counterweight to all that red. The white canvas showing between the blooms is the quiet ingredient, giving every color a clean edge so the whole bouquet reads as fresh rather than crowded.
Most people choose art last, which is why so many walls end up with something that merely fits. Choosing this bouquet first gives you a ready-made palette to decorate from. Pull the red into dining chair cushions, repeat the blue in a rug or table linens, then let the yellow appear in something small like a vase. Keep the walls white or cream, exactly like the ground of the painting, so the flowers stay the loudest thing in the room. This approach works especially well in a dining room or living room that needs one confident starting point. Starting from the painting keeps every later choice easier, because each one only has to match the bouquet.
Each canvas is painted by hand, so a run of these will show small differences from piece to piece. The bouquet keeps the same shape and the same spread of color on every canvas, so a group of them reads as one family rather than as separate paintings. The individual blooms sit a little differently each time, which is inside a normal and acceptable range. If a project needs tighter matching, we paint the run against one reference canvas.
There is a lot of separate flower work here, so the piece sits at the top of its band. For one to five pieces allow about ten business days. A run of twenty sits at about fifteen. Because the flowers are individually placed rather than repeated from a stencil, a larger size does not multiply the time the way you might expect. Give us the install date and we will schedule backward from it.
Mixed color is useful early in a project, when the fabric and furniture are not settled, because the piece will sit with almost anything that arrives later. The relief gives it presence at a distance and detail up close. There is no glass over the surface, so no glare from a spotlight and nothing to crack in transit. Light dusting keeps it right. If one canvas in an order is damaged later, we can paint a replacement from the same design.
Mixed bouquets carry a friendlier meaning than single-flower arrangements with their fixed symbolism. Red flowers such as the anemones here have long been associated with love and excitement, while blue blooms like the cornflower have historically stood for steadiness. Yellow has long been read as friendship and good cheer. A bouquet that holds all three at once reads less like one narrow message and more like a wish for a full life, which is why mixed flower paintings suit rooms that need to feel generous rather than themed.
The bouquet is arranged the way a florist would build it, with the biggest blooms low and the buds reaching up. A large red anemone with a black center anchors the lower left, while a full yellow flower balances it on the right. The blue cornflower sits almost exactly in the middle, a cool resting point between the two warm masses. Purple irises fan out toward the upper corners, then a red bud marks the highest point of the arrangement. Green stems crisscross the white ground and tie the clusters together, so the composition stays full without feeling packed.
It starts with a gesso primer that gives the paint grip and guards against cracking. The white ground and the green stem layer go down first, then they dry fully before the flowers begin. Each petal is a single thick pull of paint, shaped with a knife so the ridge stands off the canvas, and those raised edges only survive because they sit on a fully cured base. The black flower centers go in as thick daubs last. Between layers the painting rests for days, since wet paste stacked on wet paste would slump. Only after a final cure is it photographed and packed.
Bright flower wall art for the dining room is a classic pairing, and this bouquet shows why. Over a sideboard or buffet, its reds and yellows read as festive rather than loud, especially against white or cream paint. In a living room it works above a sofa if the wall stays calm, since the painting supplies the color on its own. It also works as colorful flower art for a kids room, because bright primaries with recognizable flowers appeal to children without being childish.
Want a partner for this bright red, blue, and yellow bouquet? Two sisters fit the mood. For a warm echo, hang the pink and coral dahlia relief canvas (TA25), whose coral petals share the bold colors and thick knife texture. For a soft counterweight, choose the pink and white cherry blossom relief canvas (TA27), a gentle, airy piece that lets the busy bouquet shine.
For placement above a mantel or console, choose a width about two-thirds of the furniture's width, and hang it with the center around 57 to 60 inches from the floor. Every size is painted to order, and you approve photos of your finished piece before it ever leaves our studio.
The bouquet reads as red anemones with black centers, a blue cornflower at the middle, yellow blooms, purple irises, and sprays of lavender petals, all tied together with green stems. Because every flower is shaped from thick knife strokes, they are impressions rather than botanical portraits. That looseness is part of the style.
Yes. The palette can shift toward the pinks or lavenders already present in the design, or the red and blue can soften for a gentler room. Each canvas is repainted by hand to your direction, never filtered. Tell us the direction you want and we will match it.
White and cream are the safest, because they match the painting's own ground and let every color keep its edge. Soft gray also works. Skip bold-colored walls, since bold on bold cancels both.
Dust it occasionally with a dry, soft brush. Avoid damp cloths, because moisture can settle into the ridges. Keep the canvas out of prolonged direct sun.
Very closely, though each petal is a single knife pull, so no two canvases repeat stroke for stroke. The composition, the flower types, and the colors will follow the original. You approve photos of your own painting before it ships.
Send us the size list and quantity and we come back within twelve hours with a price per piece, your volume rate and the full trade price list. If a tighter schedule matters more than the flower count, say so and we will suggest a faster version.
Yes. The red, yellow, and blue primaries are the colors children reach for first, while the flowers stay recognizable at any age. Choose a middle size scaled to the wall, so the painting brightens the room without crowding it.
Above a sideboard or buffet, choose a width around two thirds of the furniture below. Over a dining table, center the canvas near 57 to 60 inches from the floor. Every size is painted to order, so odd wall widths are not a problem.