





Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.

Start at the upper left, where a soft band of sky blue and pink floats like a cloud. A single bright blue stroke curls out of it and loops down toward the middle of the canvas. Next to it sits a small pink bud marked with dark plum lines, the sharpest detail in the painting. From there the eye slides down through white and blush washes to the two orange blooms at the lower left. One has spiky pink and cream petals around an orange heart. The other curls over a stroke of deep green. Sage and forest green leaf shapes frame the top and the right edge, and a thin strip of dusty blue runs down the right side.

Most of this canvas is light, with white, blush and pale blue doing the work. That makes it easy on warm walls. On a warm terracotta or peach wall, like the clay dining room shown here, the pink washes turn warmer and the blue ribbon and green leaves stand out. Warm beige and sand plaster keep the look soft and fresh. A pale blue gray wall picks up the sky blue strokes, and a charcoal sofa below gives the pastels a strong base. Oak, linen, rattan and stoneware suit the loose, natural feel. As pastel abstract wall art for a bedroom, it fits above a headboard. In a dining room, a clinic waiting room or a boutique fitting area, it brings color without weight.

AA16 is painted to order, and one painter carries each canvas from the first sketch to the last fine line. Nobody else touches it. The main shapes are mapped on premium linen first, including the blue ribbon, the cloud band and the two orange blooms. Then the painter mixes the blush, sky blue, sage and orange on the palette against this design and lays them on in thin, soft layers, so the colors melt at the edges. The dark plum marks and the fine lines go on near the end. We paint in acrylic unless you ask for oil, and oil takes longer. On WhatsApp you receive photos and short videos as the painting goes, and you approve daylight photos of the finished canvas before it is released.
One to five pieces need about 7 to 10 business days. For six to twenty pieces, plan on 10 to 15. The 60 and 72 inch heights fall at the longer end, since a single painter covers every inch.
AA16 does not have one big focal point. Instead, it gives the eye a route. The bright blue stroke near the top is the strongest mark, so most people see it first. It curls down toward the small plum marked bud in the middle, and from there the soft white and pink washes lead to the two orange blooms at the lower left. The dark green shape on the right edge pulls the eye back up, and the loop starts again. The upper half is full of small shapes and fine lines, while the lower half opens into wide, pale washes. That balance of busy and open keeps the painting interesting up close without looking crowded from the far side of a room.
Most of the canvas sits in light, soft colors, mainly blush pink, cream white, sky blue and sage green. Light colors are widely associated with positive feelings, and pale blue and green are often linked with calm. If the whole painting stayed there, it might feel sleepy. The two orange blooms change that. Orange tends to read as warm and lively, and here it appears only in the lower left, so it works as a spark rather than a theme. Small marks of forest green, teal and dark plum add the contrast that keeps the pastels from washing out on a white wall.
Abstract art lets color, shape and mark making carry a picture instead of a clear subject. AA16 sits close to that line. Nothing is drawn exactly, yet the leaf shapes, the bud and the two blooms suggest a garden in flower. That half seen quality suits rooms that want the feeling of flowers without the formality of a bouquet in a vase. It also lasts well in a scheme, because no single flower or season dates it. For a designer, that makes it a safe choice for a long project where fabrics and finishes may change around it.
Some commercial rooms need color that feels kind rather than loud. A clinic waiting room, a beauty salon, a bridal studio or a boutique fitting area all fit that brief. AA16 brings blush, blue and green into those spaces with only small dark accents, and its loose strokes feel personal next to hard counters and tiled floors. In a hotel, it suits a guest room wall above the bed or a corridor of soft pink or sage rooms. Cafes and brunch spots with oak tables and cane chairs can hang it near a window seat. For a run of rooms, the painting can be made in two or three sizes so the scheme stays consistent.
AA16 is 4 units tall for every 3 wide, and its pale palette lets it go large without feeling heavy. Above a queen bed, the 48 by 36 inch size fills the wall without crowding the ceiling. Above a king bed, step up to 60 by 45 inches. Over a long sofa, hang it next to a second pastel piece of the same height, with 2 to 3 inches between the frames, so the pair spans about two thirds of the sofa. Over a dresser or console around 40 inches wide, 36 by 27 inches is the right scale. Where there is no furniture below, hang the center 57 to 60 inches from the floor.
Two abstracts share this soft palette. The pink and mustard abstract floral painting (AA12) uses the same loose floral hints with a warmer yellow, so the two hang well on either side of a bed. The soft pink sky abstract landscape (AA01) is square, with pink and lavender clouds over green and blue fields, a calm partner for a living room wall.
Any size outside the list is painted to your measurements in the same 4 by 3 shape. You see daylight photos of your own finished canvas and approve them before it is released.
It is an abstract painting with floral hints. Nothing is drawn exactly, but the leaf shapes at the top, the small plum marked bud in the center and the two orange blooms at the lower left suggest a garden. Soft washes of blush, sky blue and sage fill the space around them. That mix lets it work in rooms where a literal bouquet would feel too formal.
Warm, light walls are the easiest. Peach, blush and dusty rose blend with the pink washes and let the blue and green stand out, as in the terracotta dining room photo. Warm beige and sand keep the look soft. A pale blue gray wall picks up the sky blue ribbon for a cooler room. Very bright or saturated walls compete with the pastels, so keep the wall quieter than the painting.
A vertical canvas does not need to reach two thirds of the bed's width, because its height fills the wall instead. Above a queen bed, the 48 by 36 inch size is a good start. Above a king bed, try 60 by 45 inches. Leave 8 to 10 inches between the headboard and the frame, and check the ceiling height before you choose the 72 inch size.
Yes. The painter can warm the palette with more peach and coral, cool it with more blue and sage, or swap the orange blooms for soft yellow or lilac. Brand colors can be worked in too, which helps clinics, salons and hotels. Send a paint chip or a swatch, and the colors are mixed against it on the palette while the canvas is painted.
Only a light one. Most of the canvas is painted in thin, smooth layers that blend softly at the edges. A few strokes show more surface, such as the dry-brushed dark green shape on the right edge, where you can see the bristle marks. It is not a heavy impasto or relief piece, so it hangs flat and close to the wall.
The main shapes and colors stay the same on every canvas, including the blue ribbon, the bud, the two orange blooms and the green on the right. Abstract strokes are loose by nature, so the soft edges and fine lines vary more than they would in a landscape. For a set of rooms, one sample canvas can be approved first and the rest painted against it.
A thin gold or light oak frame keeps it warm and soft, as in the room photos. A white frame gives a fresher, gallery look in a pale room. A black frame, like the main image, sharpens the edges and suits a modern scheme. It can also be ordered stretched with no frame, framed in silver, or rolled in a tube, which is the most compact way to ship.
Send the code AA16, the sizes, the number of pieces and the delivery address with postcode on WhatsApp, where replies usually come right away. Email works too, usually within 12 hours. The quote covers the paintings EXW our Shenzhen studio, and freight follows as a separate quote once the destination is known, to your door or to your own forwarder. There is no minimum order.