








Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.

Every shape on this canvas is a long, pointed feather or petal, and every tip leans toward the upper right. Laid over one another like scales, they make the whole surface look as if it is lifting, the way a wing does. Each shape was pressed on with a palette knife in thick paint, then marked with fine lines along its length. Those lines look like the barbs of a feather or the veins of a petal. The edges stand up off the linen, so each one drops a thin shadow onto the shape below it. Color moves slowly through the piece, from dusty pink on the left, through apricot and coral in the middle, to pale greige and cream on the right.

Warm pastels look best on a wall that either matches them or cools them down. On a terracotta plaster wall, like the bedroom shown here, the peach feathers blend into the wall and the cream ones glow. On a pale gray blue wall, the pink and coral step forward, which is how the armchair photo looks. Warm white, greige and taupe are the easy middle ground. Oak, linen, boucle and brushed brass suit the soft color, while chrome and glossy black feel hard next to it. As peach and pink wall art for a bedroom, it fits above a queen or king headboard. In a dining room, a spa lounge or a bridal boutique, the long shape fills the wall above a table, a banquette or a reception desk.

Each TA47 is made fresh for the order by one painter, who stays with it from the first sketch to the last raised edge. Nobody else works on the canvas. The run of feathers is drawn on premium linen first, so the lean of every shape is set before any thick paint goes on. Then the painter mixes the peach, blush, coral and cream on the palette against this design and presses each feather on with a knife. We paint in acrylic unless you ask for oil, and oil takes longer. On WhatsApp you get photos and short videos as the painting goes. Before the canvas is released, you see daylight photos of the finished piece and give your approval.
One to five pieces take about 7 to 10 business days, and six to twenty pieces about 10 to 15. The widest sizes, from 84 inches up, sit at the longer end, because one painter shapes the whole surface alone.
TA47 is a painting you see with light as much as with color. The feathers stand off the linen in thick, plaster-like paint, so every raised edge catches light on one side and drops a thin shadow on the other. In morning sun from a side window, those shadows are crisp, and the fine lines inside each feather show clearly. At midday, with light from above, the surface looks flatter and the pastel color takes over. Under warm lamps at night, the cream feathers turn golden and the pink ones deepen toward rose. A print cannot do this, because it has no edges to hold the light. For the strongest effect, hang the canvas where light falls along the wall rather than straight at it.
The color in this painting moves in one slow direction. The left third is dusty pink and mauve, mixed with white. The middle turns warm, with apricot, coral and butter cream. The right third cools again into pale greige and soft ivory. Since every feather leans toward the upper right, the eye travels the same way, almost like following a line of text. Peach and soft orange are often linked with warmth and a friendly mood, while the pale neutral end gives the eye a place to rest. Nothing in the palette is dark. The only deep tones are the thin shadows under the feather edges, which is why the painting looks soft from the far side of a room and detailed up close.
The shapes are not copied from one real thing, and that is part of the appeal. Look at the pointed tips and the fine lines, and they become feathers on a wing. Look at the blush and peach color, and they turn into fallen petals. A few of the pale gray shapes on the right even look like leaves. Abstract art often works this way. It sets out color, shape and movement, then lets each viewer finish the picture. For a hotel or a shop, that matters. Guests do not need to love a certain flower or bird to enjoy it, and the design does not tie the room to one season.
Pale, raised texture suits rooms where people slow down. In a spa reception or a treatment corridor, the peach and cream tones keep the space warm, and the relief gives guests something to look at while they wait. In a hotel suite, the long shape fits the wall above a king bed. Bridal shops, salons and cafes with blush or terracotta schemes can hang it behind a counter or a banquette as the main piece. It also sits well with natural materials such as oak, rattan, travertine and linen. For a project with many rooms, the same design can be painted in two or three sizes, so a corridor and its suites share one look.
TA47 is twice as wide as it is tall, so it belongs above long furniture. The two thirds rule is a good start. Over an 84 inch sofa, a painting around 56 inches wide looks right, which points to the 60 by 30 inch size. Above a queen bed about 60 inches wide, try 48 by 24 inches, and above a king bed, 60 by 30. For a lobby or a long dining wall, the 96 and 108 inch sizes give a mural feel. Leave 8 to 10 inches between a headboard and the frame. In other spots, hang the center 57 to 60 inches from the floor. If the wall needs a size between the listed ones, the painting is made to your measurements with the same proportions.
Two relief paintings sit well near this one. The gold and blue feathered angel wings painting (TA02) uses the same raised feather texture in warmer gold and slate blue, so the pair looks like a series in a lobby or a corridor. For a softer match, the blush pink and white peony relief canvas (TA07) shares the pastel pink and the thick knife petals in a horizontal format.
When two pieces hang on one wall, keep 2 to 3 inches between the frames and line up their centers. Every size is painted to order, and nothing leaves the studio until you approve daylight photos of your own canvas.
It shows several dozen overlapping feather or petal shapes, all leaning toward the upper right, with no scene behind them. The color runs from dusty pink on the left, through peach, apricot and coral in the middle, to pale greige and cream on the right. It is an abstract design, so some people see a wing and others see fallen petals. That open reading makes it easy to use in any project.
Warm white, greige and taupe are the safest walls, since they let the pastel color and the raised edges show. A peach, apricot or terracotta wall gives a soft, tonal look, as in the terracotta bedroom photo. Sage green gives contrast, because the cool green makes the peach and coral look warmer. A stark, cool white can make the soft peach look flat, so lean toward a warmer white.
Measure the furniture and aim for about two thirds of its width. Over a queen bed about 60 inches wide, the 48 by 24 inch size works. Over a king bed or an 84 inch sofa, choose 60 by 30 inches. A long dining table or a lobby wall can take the 84, 96 or 108 inch widths. Because the canvas is only half as tall as it is wide, it also fits under low ceilings and above tall headboards.
Yes. Each canvas is painted by hand, so the palette can move toward a project. The pink end can turn sage or soft blue, the middle can go deeper toward terracotta, or the whole piece can be painted in cream, sand and greige for a neutral version. The feathers can also be made larger and fewer for a very big wall. Send a paint chip or a mood board, and the colors are mixed against it on the palette.
It is a true relief piece. Each feather is laid on in thick paint with a palette knife, so its edges stand clearly off the linen and cast small shadows on the shape below. Fine lines run along every feather, like the barbs of a quill. The effect is strongest with light coming from the side, from a window or a wall washer. To clean it, use a soft, dry brush and never a damp cloth.
The layout, the lean of the feathers and the pink to peach to cream color run stay the same on every canvas. The exact outline of each feather and the height of each ridge change a little, because every piece is shaped by hand with a knife. For a hotel group or a chain of spas that needs a close match, the run can be painted against one approved sample.
A thin gold or warm wood frame repeats the apricot tones, which is the look in the room photos. A black frame, as on the main image, gives the pastels a sharper edge in a modern space. You can also order it stretched without a frame, rolled in a tube, or framed in white or silver. Stretched and framed pieces arrive ready to hang, and rolled canvas is the most compact to ship.
Send TA47 on WhatsApp with the sizes, the number of pieces and the delivery address with postcode. WhatsApp usually gets an immediate reply, and email usually gets one within 12 hours. Prices are EXW our Shenzhen studio, and freight is quoted separately once the destination is known, either to your door or to your own forwarder. There is no minimum order.