








Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.

The middle of the canvas holds nearly all the color. Many small dabs of gold, ochre, pale yellow and bronze sit close together in a wide band, like lit windows packed along a shore. The band lifts into two low peaks, one left of center and one on the right, and a few taller blocks stand up at the far right end like towers. Some dabs are deep bronze and rounded, almost like pebbles. Others are pale cream rectangles that look lit from inside. Under the band, gold drips fall into soft gray-blue streaks, so the lower half looks like still water holding a reflection. Above, a cream sky with drifts of smoky gray keeps the top light. One small gold stroke floats alone in the lower left, a detail that can pass for a little boat.

This canvas pairs a warm band with a cool base, so it suits more walls than a one color piece. On white or warm white, as in the loft and the Scandinavian rooms here, the gold looks crisp and the gray-blue stays soft. On a warm tan plaster wall, like the study shown here, the cream sky blends into the wall and the gold band glows. Sage green gives a gentle contrast, and dusty pink makes a warm bedroom. Walnut, cognac leather, oak and brass repeat the gold, while linen and pale gray upholstery echo the lower half. As gold abstract art for a home office, it gives a calm view above a desk. As gray-blue wall art for a living room, it fits the wall above a sofa or a low daybed.

Every AA21 is painted to order by one painter, who carries it from the first sketch to the last drip without handing it on. The studio gives loose, layered abstracts like this to painters who work in that style every day. The sky and the lower streaks are blocked in on premium linen first, so the band has a ground to sit on. Next, the painter mixes the golds, ochres and bronzes on the palette against this design, then lays on the dabs, some thick and some thin, with gold trails running down into the gray. We paint in acrylic unless you ask for oil, and oil takes longer. You get photos and short videos on WhatsApp as the painting goes, and you approve daylight photos of the finished canvas before it is released.
Plan on about 7 to 10 business days for one to five pieces and about 10 to 15 for six to twenty. The 72 by 54 and 84 by 63 inch sizes take the longer end, because one painter fills the whole band alone.
AA21 is built in three layers stacked from top to bottom. The top third is a cream sky with drifts of smoky gray. The middle is a dense band of gold dabs. The bottom third is soft gray-blue, pulled down in long vertical streaks. That simple order makes the painting easy to read from far away, even though the gold band is full of small marks. Gold drips link the band to the water below, and pale yellow rectangles repeat in the streaks like reflected light. The result feels like the last light of evening over a harbor, held still for a moment.
No real place is painted here, and that is the point of an abstract. Abstract art moved away from showing the visible world in the early twentieth century, so that color and shape could carry the meaning directly. Still, AA21 leaves enough hints for a story. The taller blocks at the right end can pass for towers, and the rows of dabs look like lit windows. Some people see lanterns on a lake or autumn trees at sunset instead. Each viewer finishes the picture in their own way, which is why a design like this works in a guest room used by many different people.
The palette is a warm and cool pair. Gold, ochre and bronze sit in the middle, while the bottom is a gray-blue with a touch of lavender. Blue is one of the colors most consistently linked with calm in color research, and warm yellows are often linked with a positive, lively mood. Here the two meet in one view, so the painting feels warm without feeling hot. The cream sky matters too. It keeps the top half light, which helps the canvas on a white wall and stops the gold from looking heavy.
The band is the thickest part of the canvas. Each dab is a short square or rounded mark, and many of them keep a rough, crusty edge that catches side light. Bronze dabs sit on top of paler gold ones, which gives the band depth. Below, the gray-blue is dragged straight down with a dry brush, so fine pale lines show between the strokes. The gold drips are painted over those streaks. That mix of thick and thin is hard to copy with a print, and the dabs look different as daylight moves around the room.
Gold and gray-blue sit well with both warm wood and cool stone, which makes this palette easy to specify. In a hotel lobby or a restaurant, the gold band shows from far away, while the dabs and drips reward guests who walk close. In guest rooms, it fits above a king bed and suits both warm and cool headboards, as the pink bedroom photo shows. For offices and meeting rooms, it looks bright but not loud. Because each canvas is painted to order, the same design can run in several sizes, from a 36 inch piece for a corridor to an 84 inch piece for a lobby wall.
Two designs carry this mood further. The extra long charcoal and gold waterfront city canvas (IA121) shows a harbor skyline in golden light in a much longer format, a good partner on a long corridor. The amber and smoke gray marbled abstract (AA20) shares the gold in a taller shape, so the two can hang on facing walls.
AA21 is a 4 by 3 horizontal. Over an 84 inch sofa, the 60 by 45 inch size covers about two thirds of the width. Above a 60 inch desk, try 36 by 27 inches. Hang the center 57 to 60 inches from the floor, a little higher in a lobby, and look over the daylight photos of your finished canvas before you approve it for shipping.
No. AA21 is an abstract, but its band of gold dabs over gray-blue streaks often reads as city lights reflected in water at dusk. Others see a golden shoreline or a row of trees in autumn sun. Because no place is named, the design suits a hotel in any city and never ties a room to one location.
Warm white, cream and soft greige are the safest. They let the gold band glow and keep the gray-blue soft. A warm tan or sand plaster wall gives a richer, cozier look, as the study photo shows. Sage green and dusty pink also work, since the painting has both warm and cool notes. Skip a strong blue wall, which competes with the lower half.
Aim for about two thirds of the furniture width. Over an 84 inch sofa, the 60 by 45 inch size is about right. Over a 72 inch sideboard, try 48 by 36 inches, and above a 60 inch desk the 36 by 27 inch size leaves space on both sides. The canvas is 4 by 3, a classic landscape shape, so it also fits above a king bed. In a home, hang the center 57 to 60 inches from the floor.
Yes. The gold can be warmed toward copper or cooled toward champagne, and the lower half can turn deeper navy, softer silver gray or a light teal. The cream sky can also be whiter for a crisp modern room. Send a photo of the space or a paint code, and the painter mixes the colors against it on the palette. Changes show up in progress photos before the canvas is finished.
The dabs are thicker than the rest of the painting, and many have rough edges that catch side light. The sky and the lower streaks are thinner, with dry brush marks pulled straight down. It is a lightly textured painting, not a plaster or 3D relief, so it hangs flat in a standard frame.
Yes, and there is no minimum order. The band, the two peaks, the drips and the color balance stay the same on every canvas. The exact shape and spot of each dab change a little, since each one is laid on by hand. For a large run, the painters can work from one approved sample canvas to keep the set close.
A thin gold frame repeats the band of dabs and is the look in the room photos. Natural wood suits warmer rooms with walnut or oak. A black frame gives a sharper, more graphic edge, as in the main image. The canvas can also be ordered rolled in a tube, stretched without a frame, or framed in white or silver.
On WhatsApp, send AA21, the sizes, how many pieces you need and the delivery address with postcode. You usually get a reply right away, and email usually gets an answer within 12 hours. Prices cover the painting itself. For most countries you can choose duties included in the delivery quote (DDP), or pay the duties yourself on arrival. Freight is quoted separately once the destination is known, either to your door or to your own forwarder.