Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
This abstract is built on a lively push and pull between warm and cool color. The largest areas are bright chartreuse and lime green. Against them the artist has set slabs of hot magenta-pink and a patch of pure red, colors that sit almost opposite the greens on the color wheel. That opposition gives the canvas its charge, because complementary colors make each other look brighter. A wide passage of warm tan and peach runs through the middle to calm the contrast, while black slabs and flecks of white anchor the whole thing so the bright colors have something solid to bounce against. Small notes of orange and yellow slip between the blocks, tying the warm and cool sides together.
Instead of hunting for art to match a room you have already finished, this is a piece to decorate around. Start from its palette, pulling one color out to lead. A calm choice is the warm tan and peach through the center, which can set the tone for a sofa or a rug, while the greens and the hit of red stay as accents in a throw pillow or a vase. Keep the walls and big furniture neutral in white, greige, or soft gray, so the canvas stays the loudest thing in the room. A single black-framed abstract like this can carry a whole living room or entryway on its own, which means you can keep everything else simple.
A hand-painted canvas like this is meant to be a long-term part of the room, not something you replace in a couple of years. The thick oil paint is applied over a primed canvas. Because it is real paint rather than ink on paper, the greens and reds hold their depth far longer than a print does. Heavy palette-knife work like the ridges and slabs you see here is especially durable, since the paint is solid all the way through rather than sitting in a thin film. Cared for simply, a piece like this outlasts the sofa beneath it and the wall color behind it. That is a large part of what makes original textured art worth choosing over a poster.
This painting does not show an object, a place, or a scene. Its subject is the paint itself, along with the energy that comes from putting bright tones next to one another. The whole surface is a field of thick knife-work, with chartreuse green, magenta-pink, red, black, and warm tan pressed on in bold blocks. Abstract work like this asks you to respond to color and texture directly, the way you might to music, rather than search for something you recognize.
Because there is nothing to name in this canvas, it works differently from a landscape or a portrait. A picture of a place tells your eye where to go, while an abstract lets it wander and rest wherever the color pulls. Here the brightest greens and the red pull hardest, so that is where a viewer usually lands first. The lack of a fixed subject also makes the piece flexible in a home, since it never ties itself to one story or mood. It can read as playful in a casual space or as bold and modern in a grown-up room.
Look closely and the palette is wider than it first appears. Chartreuse and lime green cover the biggest areas, cut through by a warm column of tan and peach down the center. Hot magenta-pink sits on the left edge, a slab of bright red anchors the lower middle, and both read stronger because they face the greens across the color wheel. Black passages run along the top and bottom, dusted with tiny white specks, while small strokes of orange and yellow warm the seams between blocks. It is a high-energy palette held in balance by the neutral tan alongside the steadying black.
The making starts with gesso on the canvas, a primer that grips the heavy paint and helps the surface resist cracking. A base layer of color is laid down, then left to dry, giving the later slabs something firm to sit on. The thick blocks and ridges you see are built with a palette knife, worked over that dried base so their sharp edges and glossy peaks stay raised. Paint this heavy cures in stages across several days, since a fresh slab pressed onto a wet one would lose its shape. Only after the surface has hardened is the canvas packed, so every ridge arrives exactly as it was made.
This is a high-energy piece, so it belongs where you want a room awake. In a living room it can hang alone above a sofa as the single bold note, so green and red abstract wall art for a living room is an easy way to add energy without clutter. In an entryway it makes a lively first impression, since the vertical shape fits a narrow wall. A bedroom can take it too, though the bright reds and greens suit a room you want cheerful rather than sleepy. Wherever it goes the rule holds, so keep the wall neutral in white or soft gray and let a colorful abstract canvas like this supply the color.
Looking for something to hang near this bold green and red abstract without starting a fight for attention? Two calmer landscapes do the job in different ways. The sunlit blue and orange cliff village canvas (IA68) picks up the warm orange and red notes in the abstract, so the two share a color thread across the wall. For a quieter balance, the misty blue and yellow bay seascape (IA67) brings cool, restful color that settles the eye after all the abstract's energy.
For placement above a sofa or a console, choose a width about two-thirds of the furniture's width, then center the canvas around 57 to 60 inches from the floor. On a tall, narrow wall the vertical format can run larger to fill the height. Every size is painted to order, and you approve photos of your finished piece before it ships.
The canvas is dominated by chartreuse and lime green, set against slabs of hot magenta-pink, pure red, and warm tan. Black passages flecked with white run along the top and bottom, with small notes of orange and yellow between the blocks.
Yes. The balance of green, red, and pink can shift, a color can be pulled out or played up, or the whole palette can be warmed or cooled to the room. Each canvas is repainted by hand to your direction, not adjusted with a filter, because true customization is a painting that fits the room, not a print that fits everyone.
Neutral walls work best, so white, greige, or soft gray let the bold colors stand out. A strong wall color would compete with the greens and reds. Test a swatch in your own light first.
Living rooms and entryways first, where a bold focal point is welcome, plus a bedroom you want to feel cheerful. The tall shape works well on a narrow wall or above a sofa.
It is real. The ridges and slabs are thick oil paint shaped with a palette knife, so they stand off the canvas and catch the light. A printed copy of the same image would be completely flat.
Keep a dry, soft brush handy and lift dust off the ridges now and then, avoiding damp cloths on the raised paint. Strong direct sun over the years can fade any oil surface, so favor indirect light to keep the greens and reds vivid.
Above furniture, aim for a width near two-thirds of the piece below, and center it about 57 to 60 inches from the floor. On a tall, narrow wall the vertical format can go larger.
It will be very close, though every hand-troweled piece falls a little differently, so no two are identical. That is the nature of real palette-knife work. You approve photos of your own canvas before it ships.