Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
From across the room this canvas reads as a sunlit coastal scene, with candy-colored houses stacked up a cliff above a blue-green sea. Walk closer and the scene turns into pure paint. Every house is a small slab of color laid on with a palette knife, so pink, coral, butter yellow, and mint walls stand physically off the canvas with raised edges. The windows are single dabs of teal and white, while the flowering branch in the lower corner is built from thick touches of magenta and yellow. Both readings are the point. You get a place to look at from the sofa, then a surface worth studying up close.
This painting is a vertical, and the format is doing real work, because the village itself climbs. Houses stack upward from the harbor line to the treetops, so the composition pulls the eye from the flowering branch at the bottom to the pale pink sky at the top. That upward pull makes a wall feel taller than it measures. It suits the narrow spots most homes struggle to fill, such as an entryway, a hallway, or the wall beside a stair landing. In a living room it can stand beside a bookcase or anchor a slim section between windows. Wherever it hangs, leave it room to run tall rather than crowding it with small frames.
Each canvas is painted by hand, so a run of these will show small differences from one piece to the next. The village keeps its shape on every canvas, the houses step down in the same order, and the sea behind them stays at the same blue. Window marks and roof edges vary slightly, and that sits inside a normal and acceptable range. If a group of units needs to read as one set, we paint the run against a reference canvas.
Buildings have to be placed before any color goes on, which makes this one of the slower designs in its band. One to five pieces takes about ten business days, and a run of twenty about fifteen. Larger sizes are easier and no slower. If the order includes anything under twenty four inches, we will send a proof of that size first.
The palette of this canvas comes almost entirely from the warm side of the wheel, with pink, coral, tangerine, and butter yellow houses crowded shoulder to shoulder. Warm, saturated colors like these are associated with energy and optimism, which is why the painting reads as cheerful before you even notice the subject. The sea and sky answer in soft blues that have long been associated with calm, so the excitement never tips into noise. That is the useful trick of the piece. It brings the lift of bright color into a room while the cool water around the cliff keeps the overall mood relaxed.
Structurally the painting splits into two temperature zones. The warm zone is the village, a mosaic of small color blocks where no two neighboring houses share a shade, so pink sits against yellow while coral leans on mint. The cool zone wraps around it, from the periwinkle sea on the right to the pale sky streaked with pink at the top. Between them the cliff face acts as the hinge, painted in cream and blush slabs that carry warmth down into the water. The hot pink blossoms in the lower corner then repeat the village colors in the foreground, which ties the two zones together.
The composition climbs a diagonal. Your eye starts at the flowering branch in the lower left, follows the pale cliff upward, then arrives at the village mass that fills the upper half of the canvas. Small green treetops mark the summit, while the horizon sits high so the sea reads as a backdrop rather than the subject. Because the houses shrink slightly as they rise, the cliff feels genuinely tall. The vertical format supports all of this, since the climb needs height to work.
The canvas is primed with gesso first, which gives the thick paint something to grip and keeps the surface from cracking as it cures. The sky and sea go down as smooth base fields, then dry completely before any building begins. The houses are laid over that cured ground with a palette knife, one small slab per wall, so each edge stands raised instead of sinking into wet paint below. The blossoms come last as heavy dabs of magenta and yellow. Because every layer must dry before the next, a painting like this takes days to build, then cures fully before packing.
This is colorful coastal wall art for a living room, an entryway, or a hallway that needs a lift. In an entry it gives arriving guests an instant impression of warmth, while the vertical format fits the narrow wall most entries offer. A stair landing benefits the same way, since the upward composition works with spaces people move through. In the living room, hang it where the sofa and the shelving stay neutral, because a scene with this much pink and coral deserves a calm stage. White, cream, and pale gray walls serve it best.
Picture this colorful cliffside village anchoring a larger coastal wall. Two paintings were made to hang right beside it. The tan and teal impasto lighthouse seascape (TA41) shares the same seaside story, and its teal water echoes the sea below the village. As a quiet counterweight, the cobalt blue and amber flowing abstract (CA15) drops the scenery for calm, flowing color, while the cobalt keeps a thread back to the water.
For placement above a sideboard or sofa, choose a width about two-thirds of the furniture's width, and hang it with the center around 57 to 60 inches from the floor. Every size is painted to order, and you approve photos of your finished piece before it ships.
It is painted in the spirit of the cliffside villages along the Italian coast, where houses in pink, yellow, and coral really do stack above the water. It does not copy one town exactly, which means it can stand for whichever coastline you love. Many buyers choose it to remember a specific trip.
Yes. The houses can lean more pastel or more saturated, the sea can deepen toward navy, and the blossoms can shift toward red or soft pink. Each canvas is repainted by hand to your direction rather than filtered, so tell us the look you want.
White, cream, and pale gray let the pink, coral, and yellow houses carry the wall. If you want color, keep it very soft, such as the palest blue that echoes the sea. Strong wall colors compete with the village and flatten both.
Entryways, hallways, and stair landings first, because the climbing composition fits tall narrow walls. It also works in a living room beside neutral furniture. Anywhere it hangs, the vertical format makes the wall feel taller.
Dust it now and then with a dry, soft brush, working gently around the raised house edges and blossom dabs. Avoid damp cloths on relief paint. Keep the canvas out of prolonged direct sun.
Yes. A wide version suits a lobby and narrower ones suit corridors, all from one order and one schedule. Architecture reads better with room, so on anything under twenty four inches we will send you a proof before painting the rest of the set.
Let the vertical format run tall, since the composition climbs from the blossoms to the sky. On walls above furniture, keep the width near two thirds of the piece below. Larger sizes give the tiny windows and raised house edges more room to be seen.
Very closely, though knife work varies slightly from piece to piece, which is the mark of hand painting. The composition and the colors stay true to what you see. You approve photos of your own canvas before it ships.