Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
Find the small cove at the center of this painting, where the water turns from deep blue to bright turquoise below the purple-gray cliffs. That patch is the hinge of the whole composition. The wildflower slope on the left is loud, with magenta, yellow, and orange laid on in thick knife dabs, while the open sea on the right runs quiet and cool. The pale turquoise sits exactly between them, so your eye keeps returning to it the way it returns to a lit window. White strokes of foam circle the dark rocks there, which gives the stillest part of the scene a hint of motion. Cover the cove with your hand and the painting splits into two unrelated halves, so that small patch of turquoise is doing quiet work all day.
A painting that carries magenta blooms, golden flowers, and a deep blue sea asks for a wall that stays out of the argument. Warm white and cream are the safest choices, since they brighten the pinks without dulling the blues. Soft gray also works, because it picks up the purple tones in the cliffs. In a living room this canvas can hang large over the sofa on a pale wall, where the flower slope reads clearly across the room. It also earns a place in a home office, giving your eyes a painted horizon between screen sessions. The one wall to skip is a strongly colored one, which would compete with the flowers rather than frame them.
Most of us do not live near a cliff covered in wildflowers, which is exactly why this view earns wall space. Bright color at this scale has long been associated with lift and energy, so the painting works like a window that always opens onto good weather. In the morning the magenta and yellow slope reads at full saturation. By evening lamplight the knife ridges in the sea throw small shadows, and the water seems to move. A glance toward it lands on open water instead of a blank wall, which quietly changes a pause in your day. Over time that daily view of open coast becomes the reason the painting earns its spot.
The magenta, pink, and golden yellow slope on the left half of this canvas plays against one of the largest fields of blue we paint. Those two families sit at opposite ends of color research. Deep blue has long been associated with calm and steadiness, while saturated pinks and yellows are associated with energy and optimism. Because this painting carries both at once, it can wake up a room without unsettling it. The warm flowers lift the wall first, then the cool sea and the pale sky settle everything back down.
The palette divides along a rough diagonal. Everything warm gathers in the lower left, where magenta blooms shade into pink, then yellow, then orange at the base. Everything cool spreads across the upper right, from deep navy through teal to the bright turquoise cove at the center. Between those zones the purple-gray cliffs act as a bridge, since purple carries a little of both temperatures. Even the sky helps, painted in pale cream with a faint pink cast that echoes the flowers. The scene reads as one place rather than two halves because every zone borrows a note from its neighbor.
Your eye enters at the flower slope, the loudest corner, then follows the cliff line as it steps back in a long diagonal toward the horizon. Along the way it passes the turquoise cove, where white foam breaks around dark rocks, then reaches a small islet standing alone offshore. On the right edge a branch of orange blossoms leans in over the water and turns your attention back to the foreground. That loop is why the painting feels active even though nothing in it moves. The diagonal also reads clearly from across a room.
Each canvas starts with a coat of gesso, which gives the paint grip and protects the surface from cracking. The broad fields go down first. The sea is laid in wide sideways knife sweeps, the sky is troweled on in pale paste, then the whole ground dries hard. The thick strokes go on only after that base cures, so the magenta petal dabs and raised foam lines keep their sharp edges. Every layer needs its own drying time, which stretches one painting across days rather than hours. A full cure comes before packing.
This is colorful coastal wall art for a living room first, where the wide format can stretch above a sofa or a long console. The flower colors hold their own in a bright social space, while the sea keeps the effect from tipping into noise. A home office is the second natural home, since an open painted horizon gives your eyes somewhere distant to rest between tasks. In a bedroom many people hang it opposite the bed rather than above it, so the magenta slope is the first color of the morning. Pale walls suit it in all three rooms.
Wondering what could share a wall with a headland this covered in flowers? A natural echo is the jewel-tone blue and green peacock duo canvas (CA05), which repeats this painting's deep sea blues in feathers instead of water. For a calmer companion, the emerald green coat strolling woman painting (CA38) picks up the greens of the flower slope while giving the pair a quiet human figure to rest on.
Above a sofa or sideboard, choose a width close to two-thirds of the furniture below, and center the canvas 57 to 60 inches from the floor. Every size is painted to order for the wall. Before it ships, you receive photos of your finished painting to approve.
A slope of coastal wildflowers in magenta, pink, yellow, and orange falls toward purple-gray cliffs, with a deep blue sea opening beyond them. A small turquoise cove sits at the center of the scene, while a branch of orange blossoms leans in from the right edge. The whole view is painted loosely, so it reads as a place remembered rather than photographed.
Yes, it is painted as a foreground layer that overlaps the sea. Setting a blossoming branch in front of open water is a classic framing device, and here it returns your eye to the flowers after every drift toward the horizon.
Warm white and cream are the most reliable, since they let both the flower colors and the sea read clearly. Soft gray also works because it relates to the purple in the cliffs. A strongly colored wall would compete with the blooms, so leave saturated paint for another room.
Yes, every canvas is repainted by hand to your direction rather than filtered. The magenta can soften toward blush, the sea can deepen toward navy, or the whole slope can shift warmer. True customization means the painting fits the room and your taste, not that a particular signature sits in the corner.
Living rooms take it best, since the wide format suits a sofa wall and the palette holds up in a social space. It also brings a long horizon to a home office. In a bedroom, many people prefer it opposite the bed so the flowers are the first thing they see in the morning.
Aim for roughly two-thirds the width of the sofa, centered 57 to 60 inches from the floor. This panoramic design also rewards going larger, because the diagonal cliff line needs room to stretch. Any size can be painted to order.
Dust the surface now and then with a soft, dry brush, working gently over the thick flower dabs. Skip damp cloths, which can catch on raised edges. Keep the canvas away from long hours of harsh direct sun.
Very closely in palette and composition, though individual petal strokes will differ slightly because each canvas is painted by hand. That variation is what separates it from a print. You approve photos of your own painting before it ships.