Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
This bouquet runs on warm color, packed edge to edge with dahlias in hot pink, coral, orange, and golden yellow. The palette holds together because the flowers share a warm base, so the magenta pinks and the amber oranges feel like members of one family rather than clashing notes. Cream and pale yellow blooms open up the density and give the eye a place to rest, while small strokes of emerald and lime green between the petals cool the heat just enough. Deep magenta and red centers punctuate the brighter blooms, adding depth so the bouquet does not read as one flat wash of color. The result is bold and cheerful, kept in balance by those quieter greens.
When the art is this lively, the simplest approach is to build the room around it and keep everything else calm. Pull one color from the bouquet to lead. A warm cream or soft blush wall lets the pinks and oranges glow, whereas a stark white can make them look harsh. Echo the golden yellows in brass or warm wood, then repeat a single flower color, such as coral, in a cushion or a table runner rather than across the whole room. This works beautifully over a dining table or a sideboard, in a living room, or in a bedroom that can carry a warm, romantic note. Let the painting be the loudest thing on the wall, so the rest of the room stays easy to live with.
Each canvas is painted by hand, so across a run there will be small differences from piece to piece. The dahlia holds its position and its petal count on every canvas, and the pink and gold stay at the same strength. The ridges of paint and the petal edges are where variation shows, and it stays inside a normal and acceptable range. If a project needs the pieces matched more closely, tell us at the order and the whole run is painted against one reference canvas.
The petals here are laid in thick and worked wet, which means real drying time between layers. Plan on about ten business days for one to five pieces and about fifteen for a batch of twenty. This design scales up cleanly, so a large statement version is not much slower per piece than a small one. If you need a mix of sizes in the same order, they run together rather than one after another.
Warm, saturated color is the first thing you notice in this piece, and warm color tends to carry an emotional charge. Reds, pinks, and oranges have long been associated with energy and celebration, which is part of why a bright bouquet feels welcoming. The gold and yellow dahlias add a note often linked with optimism and cheer. Because the flowers are packed edge to edge, that warmth fills the whole canvas rather than sitting in one corner. The quieter greens and cream blooms keep the energy from tipping into overload, so the painting reads as joyful rather than restless.
The color sorts into a few clear groups. Hot magenta and deep pink dominate the left and center, with several blooms carrying dark crimson hearts. Warm oranges and apricots take the right side, moving up into golden yellow at the top and lower right. Soft cream and pale yellow dahlias sit among them as lighter rests, keeping the density from closing up. Threaded through the whole bouquet are strokes of emerald and lime green, the leaves and buds that stop the warm tones from running together. It is a full, high-key palette, yet the greens and creams give it enough contrast to stay readable up close.
There is no background wall in this painting. The dahlias fill the frame completely, edge to edge, which gives the piece a lush, abundant feeling the moment you see it. Even so, the arrangement is not random. The largest pink and cream blooms sit near the center, pulling your eye first, then the warm oranges on the right lead it around in a loose circle. Smaller buds and green leaves fill the gaps, so there are no dead spots. That all-over, close-cropped composition is what makes the bouquet feel like a window straight into a garden bed rather than a tidy vase on a table.
Each canvas begins with a gesso primer that helps the thick oil paint grip the surface and resists cracking as it cures. Any base color is laid in first and left to dry, giving the flowers a stable ground. The dahlias are then built petal by petal in heavy palette-knife strokes over that dried base, which is how each petal keeps a raised, standing edge instead of flattening. In places the paint stands high enough that you could read it with a fingertip, and the canvas weave still shows through the thinner passages. Drying happens between sessions across days rather than hours, then the piece is fully cured before it is packed. Because the relief is real, the flowers catch light and cast tiny shadows.
Bright floral art like this works best where a room can take a lift of color. Over a dining table it is a natural choice, since the warm bouquet flatters food and gathered company. It also holds a living room sofa wall, or a bedroom that wants a warm, romantic focal point rather than a soft neutral one. The trick is the wall behind it. Warm white, cream, or soft blush lets the pinks and oranges glow, whereas a strong colored wall competes and dulls both. Keep the furniture and textiles calmer, so this bouquet stays the star of the room.
Looking to give this pink and gold dahlia a companion on a larger wall? For a floral relative, the lavender and gold Provence poppy painting (CA65) echoes the same warm gold and keeps the flower theme going, so the two bloom together. For a cooler counterweight, the gold, blue, and orange citrus coast painting (IA71) brings in ocean blue, so it settles the pair and lets the dahlia's pink glow lead.
For placement above a sideboard or sofa, choose a width about two-thirds of the furniture's width, and hang the center around 57 to 60 inches from the floor. When you show all three, let the dahlia lead from the middle, with the two companions a bit smaller on either side. Every size is painted to order, and you approve photos of your finished canvas before it ever leaves our studio.
The canvas is a full bouquet of dahlias, packed edge to edge with no background showing. The blooms run from hot magenta and coral pink to warm orange and golden yellow, with a few soft cream dahlias for relief. Emerald and lime green leaves and buds are tucked between them.
Warm white, cream, and soft blush are the best backdrops, since they let the pinks and oranges glow without a fight. A strong colored wall competes with the bouquet and mutes it. Test a swatch in your own light before deciding.
Yes. Because each canvas is hand-painted to order, the balance can shift toward more pink, more orange, a stronger red, or extra cream blooms for a calmer feel. Tell us the direction you want and we will match it, since the painting should fit the room rather than the other way around.
It is one of its best placements, since the warm, cheerful bouquet suits a table where people gather. Hang it over the table or a sideboard, and keep the surrounding walls calm, so the flowers lead. Its square format sits well centered above a rectangular table.
No minimum, and trade pricing applies from one piece. Heavy relief designs are ones we suggest seeing in person first, so a single canvas before a larger commitment is a normal way to work with us rather than an exception.
Dust it now and then with a dry, soft brush. Avoid damp cloths on the raised petals, since moisture can settle in the deep ridges. Keep the canvas out of long hours of hard, direct sun to protect the bright colors.
Very closely, though not petal for petal, since the knife work varies slightly on every hand-painted piece. That small variation is what marks it as an original rather than a print. You approve photos of your own finished canvas before it ships.
Aim for a width around two thirds of the table or sofa below it, and center the canvas near 57 to 60 inches from the floor. A square format suits a wall that is close to as tall as it is wide, or a spot between two windows. Every size is painted to order, so it can be matched to the space.