





Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
Or email support@palettemomento.com
We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.

Light comes into this still life from the upper right, where the background turns a misty blue gray. The left side sinks into a dark charcoal shadow, like a heavy curtain. Between them, an amber brown haze glows behind the flowers. The bouquet sits in a plain glass jar, painted with quick vertical streaks and a few bright flecks of light. Cream and white blossoms fill the left of the bunch, small blue flowers sit in the middle, and a peach bloom and a red-orange bloom catch the light on the right. A ruffled peach flower stands on a tall stem at the top left. One orange petal has fallen onto the shiny table, and its reflection runs down in streaks.

The dark side of the canvas gives it weight, so it suits walls that need an anchor. On a greige wall, like the reading corner shown here, the charcoal shadow matches a dark armchair and the cream blossoms echo a pale throw. Warm walls in terracotta, dusty rose or taupe pick up the peach and amber, while a pale gray wall keeps the smoky blue light in focus. Walnut, oak, stoneware and wool suit its soft, aged look. As moody floral wall art for a dining room, it hangs well above a sideboard. It is also a good choice for a study, a hotel bar or a restaurant corner with low, warm light.

Each IA125 is painted from scratch for your order, and one painter carries it from the first sketch to the last fleck of white. That painter is matched to florals and still lifes, the subjects they paint every day. The jar, the table line and the mass of the bouquet are sketched on premium linen first. Then the dark ground and the amber haze are blocked in, so the flowers have something to glow against. The peach, cream and blue are mixed on the palette to match this design, and the petals go on in quick, loose strokes with small spatters. We paint in acrylic unless you ask for oil. Oil is available on request and takes longer. You get photos and short videos on WhatsApp as the painting goes, and you approve daylight photos of the finished canvas before it is released.
Plan on about 7 to 10 business days for one to five pieces, and about 10 to 15 for six to twenty. The 60 by 48 and 72 by 58 inch sizes take the longer end, since one painter covers the whole surface alone.
This still life is arranged like a small stage. A dark charcoal shadow fills the left edge, a misty blue gray light opens on the right, and the glass jar stands between them on a shiny table. The flowers lean toward the light. Bright cream blossoms sit on the shadow side, where they stand out most, and the warm peach and red-orange blooms sit on the light side. The single orange petal on the table is the small detail that makes the picture feel lived in. It suggests a moment after someone set the jar down and the flowers began to drop.
Impressionism grew out of nineteenth century France, when painters set out to catch light and atmosphere instead of exact detail. IA125 follows that approach. None of the flowers is drawn petal by petal. Each one is a few quick strokes of peach, cream or blue, with spatters flicked around the edges. The glass jar is a set of vertical streaks with a few white flecks for shine. The reflections on the table are pulled straight down in soft smears. Seen from the far side of a room, the shapes come together into a clear bouquet. Seen up close, they break apart into loose paint, which is the effect impressionist painters valued.
The palette is mostly muted. Charcoal, amber brown and blue gray cover the background, and they make up most of the canvas. Against them, peach, cream and a few strokes of red-orange look bright, even though none of them is a loud color. Light colors are often associated with positive feelings, and in this painting they are kept for the flowers alone. Blue is commonly linked with calm, and here it fills the window of light on the right. The result is warm and a little moody, a look that suits rooms lit by lamps in the evening more than rooms in full sun.
Flowers have long been tied to beauty, to the seasons and to the fact that blooms do not last. In still life painting, fading flowers often serve as a gentle reminder that beauty passes. IA125 makes that idea easy to see. The bouquet is still full, but one petal has already fallen, and the edges of several blossoms melt into the haze. That gives the canvas a soft, thoughtful tone. It suits a dining room, where people linger over a meal, or a study or reading corner, where a gentle picture is welcome over many hours.
Every canvas is painted to order, so the bouquet can follow a project. The background can lighten from charcoal to warm gray for a bright room. The blooms can shift toward blush and white for a bridal shop, or toward deeper red for a wine bar. The glass jar can become a stoneware vase. For a client with a story, the painter can work from photos of real flowers, such as a lobby arrangement or a wedding bouquet. The custom still life paintings page explains how those commissions run.
Two florals sit well beside this one. The midnight blue impressionist rose painting (IA123) shares the dark ground and the cream blooms, so the pair looks like one set in a dining room or hotel corridor. For a warmer partner, the amber and red flower bouquet painting (CA25) repeats the vase and the orange tones against a golden background.
Above a sideboard or sofa, aim for about two thirds of the furniture's width and hang the center 57 to 60 inches from the floor. We paint any size outside the list to your measurements, and you approve daylight photos of your finished canvas before it ships.
A loose bouquet of cut flowers in a clear glass jar on a shiny tabletop. Cream and white blossoms, small blue flowers, peach blooms and one red-orange bloom fill the jar, with sage and gold leaves. A single orange petal has fallen onto the table. The flowers are painted loosely, so they suggest mixed garden blooms rather than one named variety.
Greige, taupe and warm beige are easy choices, because they sit between the dark shadow and the pale blossoms. Terracotta and dusty rose walls repeat the peach and amber for a warmer room. A pale gray wall works too and keeps the smoky blue light clear. A very dark wall can swallow the charcoal side, so keep at least a mid tone behind it.
IA125 is 5 units tall for every 4 wide, close to a classic portrait shape. Over a 48 inch sideboard or console, the 40 by 32 inch size is about two thirds of its width. Above a 72 inch sofa, the 60 by 48 inch size holds the wall well. Hang the center about 57 to 60 inches from the floor, a little higher in a lobby.
Yes. The painter can lighten the charcoal side for a bright room, warm the blue gray toward cream, or swap the red-orange bloom for pink or white. You can also ask for flowers that matter to a project, such as a brand color or the blooms from a wedding. Changes are shown in progress photos before the painting is finished.
Lightly. The blossoms carry quick, slightly thicker strokes and small spatters, and the glass jar is dragged on in vertical streaks. In the background you can still see the weave of the linen through thin paint. It is a painterly surface, not heavy impasto or plaster.
The layout, the jar, the light from the right and the color balance stay the same. Each petal, spatter and streak changes a little, because the flowers are painted loosely by hand. For a hotel or restaurant run, we can paint every canvas against one approved sample.
A thin gold or warm wood frame picks up the amber haze, which is the look in the room photos. A black frame suits the charcoal side and a modern room. White and silver frames, stretched frameless canvas and rolled canvas in a tube are also available.
Send IA125 with the sizes, the number of pieces and the delivery address with postcode on WhatsApp. You usually get a reply right away. The painting price comes first, EXW our Shenzhen studio with no minimum order, and freight is quoted once the destination is known, to your door or to your own forwarder.