Each PaletteMomento piece is an original, made to order and finished entirely by hand.
Built to last and easy to install. Every piece is made to look right on the wall and stay that way for years.
Make it truly yours. Beyond size and color, we can paint almost anything you can imagine.
Every painting is created the slow way, by hand, by real painters, one canvas at a time.
Nothing leaves the studio that you have not already seen and signed off. We work with you at every step, so there are no surprises on arrival.
Packed the way your project needs it. Prices are EXW our Shenzhen studio, so the freight stays visible and separate.
Any size outside this list is produced to your dimensions at the same rate.
Rolled Canvas
Frameless Stretched
Black Frame
White Frame
Wood Frame
Silver Frame
Gold FrameWhatsApp: usually an immediate reply. Email: usually within 12 hours.
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We paint every piece to order in Dafen, Shenzhen, so the size, the palette and the finish are all decided by your project rather than by what happens to be in stock. You see photographs of the finished canvas before it ships, and nothing leaves the studio until you approve it. Trade pricing starts at one piece, and the rate improves as the count goes up.
From across the room this canvas reads as one calm image, a green cove holding a fleet of white sailboats under soft misty light. Walk closer and the image separates into its parts. The water turns out to be thousands of small dabs of seafoam green, turquoise, and lavender, while the hillsides split into a dozen distinct greens laid stroke by stroke. Details appear that the far view never mentioned, such as a tiny red-roofed cottage in the trees and a branch of orange fruit crossing the flower bank at the bottom. Owning a painting like this means getting both pictures, the restful one from the sofa and the intricate one on the way past.
Wide paintings change the room they hang in, because a strong horizontal line makes the wall feel broader and the ceiling a touch higher. This panoramic cove has the proportions for the three widest walls in most homes. Above a living room sofa it fills the long horizontal gap that smaller art never quite manages. Above the headboard in a bedroom, its calm greens work with sleep rather than against it. Behind a desk in a home office, the view from the flower bank out to the misty horizon gives your eyes a genuine distance to travel. Hang it with generous space on both sides and the widening effect grows stronger.
Some paintings energize a room while this one settles it. The boats sit at anchor with sails down, the water is sheltered on both sides by wooded hills, and the horizon fades into pale mist, so nothing in the scene is going anywhere. Green and soft blue palettes like this one have long been associated with rest, an effect you feel more than analyze in daily life. In the morning the canvas reads fresh and cool. By lamplight the lavender flecks in the water come forward and the mood turns quieter still. That slow shift is what the painting gives a room every day.
The palette of this cove painting is nearly all green, from the deep pine of the hillsides to the seafoam and turquoise of the sheltered water. Green is the color most people connect with the outdoors. It has long been associated with rest and recovery, which is why so many bedrooms lean on it. The soft blues mixed through the water carry similar calming associations. This canvas delivers those cool tones as a real place rather than a swatch, so the room gains a view as well as a palette. The band of red and pink flowers along the bottom keeps the calm from turning cold.
Structurally the palette is analogous, built from neighbors on the color wheel rather than opposites. Greens shade into blue-greens in the water, then into the lavender that pools in the shadows and reflections. That closeness makes the scene feel unified enough to be restful. Two accents keep it from going flat. The flower bank across the bottom edge adds red, magenta, and yellow in small stippled touches, while the pale pink-white sky opens the top of the canvas like a window.
Two wooded hillsides angle inward from the left and right edges, funneling your view toward the bright gap of mist at the center. A row of white sailboats lines the dock on the left, their bare masts drawn as fine vertical strokes, while a dark-hulled yacht rides at anchor near the middle as the one strong dark note. The flower bank runs across the entire foreground, so you seem to look over a garden railing into the cove below. Panoramic proportions complete the effect, stretching the scene the way a real shoreline view does.
A layer of gesso goes on first, giving the surface tooth so the oil bonds without cracking later. Water and hillsides follow as broad underpainting, laid in and then left alone until fully dry. The visible character of the piece comes in the sessions after that, when hundreds of separate dabs are set over the cured ground, seafoam and lavender flecks across the water, distinct greens through the trees, dots of red and yellow in the flowers. Because each layer must dry before the next, the painting is built across days. It ships only after the whole surface has cured.
Bedrooms come first. Green coastal wall art for a bedroom works because the scene contains nothing urgent, just moored boats and still water, which suits the last thing your eyes rest on at night. A home office comes second, where looking up from a screen into a long painted distance gives real relief. In a living room, this panoramic canvas above a sofa settles the widest wall in the house. Keep nearby walls in warm white or a soft greige, since the painting's own greens supply the color the room needs.
Wondering what belongs beside this quiet cove on a gallery wall? The strongest echo is the orange and magenta impasto floral canvas (CA40), which takes the small flowers along this painting's bottom edge and makes them the whole subject, so the pair reads as a view plus its close-up. If you would rather continue the coastline, the pink and yellow cliffside village canvas (CA39) adds houses and human bustle over the same blue water, acting as the lively counterweight to this cove's stillness.
Above a sofa or a bed, a width around two-thirds of the furniture keeps the proportions right, with the center of the canvas landing 57 to 60 inches off the floor. Each size is painted to order, and photos of your finished cove arrive for your approval before anything ships.
A sheltered green cove with sailboats moored along a wooden dock, plus a dark-hulled yacht anchored near the center. Wooded hillsides frame both sides, a small red-roofed cottage sits among the trees, and a bank of red and pink flowers crosses the foreground. The horizon fades into pale mist rather than a hard line.
It is among the calmest pieces in our coastal line. The palette is nearly all green and soft blue, colors long associated with rest, and the scene itself shows boats at anchor with nothing in motion. Hang it where you can see it from the bed if you want the effect while winding down.
Warm white, cream, and light greige are the reliable partners. A very pale sage can also work, since it stays inside the painting's own family. Strong colors compete, so save them for pillows rather than the wall.
Yes. The flower bank can be softened or brightened, the greens can shift cooler or warmer, and the lavender notes in the water can be turned up. Each request is repainted by hand rather than recolored digitally, because a painting should be made to fit the wall instead of asking the room to adapt.
About two-thirds the width of the sofa is the guideline that almost always looks right. Panoramic designs like this one prefer to grow wider rather than taller, so if you are choosing between two sizes on a big wall, take the larger.
Very well. The long sight line from the flower bank to the misty horizon gives your eyes a genuine distance to refocus on between screen sessions. Its stillness also keeps it from pulling attention the way busier art can.
Closely enough that visitors will never tell the difference, though the stippled dabs in the water fall a little differently on every hand-painted piece. That variation marks it as an original rather than a print. Before shipping, you receive photos of your exact canvas to approve.
Brush it gently with a dry, soft brush when dust gathers on the raised dabs. Damp cloths should stay away from the textured water and flower areas. Position it out of prolonged direct sun.